Seven years into his career, percussionist
Johnny Blas continued to propel the Latin jazz idiom further into the 21st century with some of the most exquisitely arranged, consummately executed music the genre had heard in some time. Not a major departure from his first two albums with Ubiquity's Cubop imprint (1997s
Skin & Bones and 1998s
Mambo 2000), King Conga nonetheless maintains the standards of those sets. Joining
Blas once again are guitarist/pianist
Mark Gutierrez and trombonist/violinist
Dan Weinstein: linchpins of the percussionist's combo since his 1995 debut, A Night in L.A. In addition to lending their substantial improvisational skills to the date, they combine with
Blas to form a formidable writing trio. Percussionist Angelito Rodriguez also makes impressive contributions, sharing credit with
Blas on five cuts. It's worth noting that King Conga's eight originals (not counting the tasty percussion interludes sprinkled throughout) are more than capable of holding their own alongside Freddie Hubbard's "Little Sunflower" and Lee Morgan's "The Sidewinder," the second and third cover versions ever recorded by the group. Album highlights include "Sobale," an up-tempo track that adds both flute and violin to an otherwise trombone-heavy mixture; "Socorro," a soft-stepping ballad adorned with a rich string arrangement by
Weinstein; and "Debbie's Mambo," a lively eight-minute track presumably dedicated to
Blas' wife. The latter features an outstanding arrangement for the band's four trombones and an inspired (and slightly deranged) piano solo from
Weinstein. This is Latin jazz (circa 1999) at its very best.