For her third album,
Chely Wright switched record labels and teamed up with producer
Tony Brown, who helmed the boards for records by
George Strait and
Reba McEntire, among others.
Brown stripped
Wright's music down to the core -- for much of
Let Me In, she's singing over clean acoustic arrangements; only a few cuts are adorned with pop/rock instrumentation.
Wright benefits from the spare arrangements, which only emphasize her lovely voice and charisma. The result is her most accomplished and arguably best album to date. ~ Thom Owens