Although the all-stars featured on this live set (bairtonist
Hamiet Bluiett, pianist
Don Pullen, bassist
Fred Hopkins, drummer
Idris Muhammad and percussionist
Chief Bey) were familiar with each other's playing, this particular quintet also existed for the one week that they played at the New York club Carlos I.
Bluiett and the late
Pullen had complementary styles, quite exploratory yet at times surprisingly accessible.
Pullen had the ability to play dense, atonal phrases in a catchy, rhythmic fashion, and his approach is the most memorable aspect of the set.
Muhammad and
Bey complement each other quite well, and
Hopkins was always a versatile and powerful musician, both as a soloist and as an accompanist. As for
Bluiett, he has long been the master of high-note baritone playing; his soloing is almost traditional during parts of "Oleo," and he contributed the first three originals, which are inside/outside and very viable vehicles for advanced improvising. The one minus to the set is the rendition of "A Night In Tunisia," which, after a slow out-of-tempo introduction, becomes an endless display for high-note screeching by
Bluiett. That misstep aside, the five lengthy pieces (only "Tunisia" is under ten minutes) give listeners an opportunity to hear a unique and short-lived band. ~ Scott Yanow