Composer/pianist
Michel Legrand worked with such musical luminaries as
Miles Davis,
Sarah Vaughan, and
Dusty Springfield, is responsible for some of the most memorable film themes of the 20th century, and is easily mentioned alongside his contemporaries
Henry Mancini,
Andre Previn,
Gil Evans, and
Burt Bacharach. Amazingly though, he has never before recorded a solo piano album of his own songs. At 69 years old,
Legrand finally delivers
Michel Legrand By Michel Legrand, in which he covers some of his best material. While
Legrand is a technically adroit musician and displays an
Art Tatum-like inventiveness in his piano style, he really isn't so much a jazz pianist as a jazz impressionist, utilizing expanded harmonics and scale flourishes to re-conceptualize his songs into solo pieces. Hearing these instantly recognizable melodies performed in such an intimate way by the composer allows the listener to perhaps gain some insight into how
Legrand might have originally conceived his arrangements.
Legrand's songs have always contained the rhythms and harmonic nuances of jazz, but as they were recorded with strings or big bands for large movie soundtracks, some of the initial jazz influences may have become secondary. Here, they are rendered beautifully raw. One of the most successful reinterpretations is the soft ballad "How Do You Keep the Music Playing" (from Best Friends), which
Legrand treats as a soulful,
Herbie Hancock-style ballad. Similarly, the opening track, "I Will Wait for You" (from Les Parapluies de Cherbourg), begins with
Legrand's starkly gorgeous melody line played by itself and builds to a swinging middle section that is pure
Bill Evans. Just as successful is "The Windmills of Your Mind" (from The Thomas Crown Affair), featuring a klezmer-influenced melody that
Legrand accents with swirling,
McCoy Tyner-ish piano scales and then develops into a straight-ahead jazz ballad and later a ferocious gypsy-swing number. ~ Matt Collar