Recorded in 1972 and released in 1973 with
Herbie Hancock,
Stanley Clarke, and
Jack DeJohnette,
Joe Farrell's
Moon Germs was a foray into the electric side of jazz. On the opener, "Great George,"
Farrell leads off with the hint of a melody before careening into legato streams of thought along striated intervallic paths.
DeJohnette is like a machine gun, quadruple-timing the band as
Clarke moves against the grain in a series of fours and eights, and
Hancock's attempts to keep the entire thing anchored are almost for naught. On the title track there is more of a funk backdrop, but the complex, angular runs and insane harmonic reaches
Farrell attempts on his soprano, crack, falter, and ultimately turn into something else; the sheer busy-ness of the track is dazzling. "Bass Folk Song" by
Clarke, is the only thing on the record that actively engages melody rather than harmonic structures.
Farrell uses his flute and
Hancock strides into the same kind of territory he explored with
Miles Davis, chopping up chordal phrases into single lines and feeding them wholesale to the running pair of frontmen--in this case
Clarke and
Farrell.
DeJohnette uses a Latin backdrop to hang his drumming on and pursues a circular, hypnotic groove on the cymbals and toms. It's a gorgeous piece of music and utilizes an aspect of space within the melodic frame that the rest of these firebrand tunes do not. This is sci-fi
Farrell at his creative best. ~ Thom Jurek