Undaunted by the criticism
Around the World in a Day received,
Prince continued to pursue his psychedelic inclinations on
Parade, which also functioned as the soundtrack to his second film, Under the Cherry Moon. Originally conceived as a double album,
Parade has the sprawling feel of a double record, even if it clocks in around 45 minutes.
Prince & the Revolution shift musical moods and textures from song to song -- witness how the fluttering psychedelia of "Christopher Tracy's Parade" gives way to the spare, jazzy funk of "New Position," which morphs into the druggy "I Wonder U" -- and they're determined not to play it safe, even on the hard funk of "Girls and Boys" and "Mountains," as well as the stunning "Kiss," which hits hard with just a dry guitar, keyboard, drum machine, and layered vocals. All of the group's musical adventures, even the cabaret-pop of "Venus de Milo" and "Do U Lie?" do nothing to undercut the melodicism of the record, and the amount of ground they cover in 12 songs is truly remarkable. Even with all of its attributes,
Parade is a little off-balance, stopping too quickly to give the haunting closer, "Sometimes It Snows in April," the resonance it needs. For some tastes, it may also be a bit too lyrically cryptic, but
Prince's weird religious and sexual metaphors develop into a motif that actually gives the album weight. If it had been expanded to a double album,
Parade would have equaled the subsequent
Sign 'o' the Times, but as it stands, it's an astonishingly rewarding near-miss.