From the 1940s to the 1960s, it was not uncommon for a small record company such as Blue Note, Prestige, or Riverside to assemble a group of jazz musicians for a blowing session and release the results under the name of one of them (and perhaps reissue it under another name if one of the others became more famous later). The same thing seems to have happened here in the 1990s, even though no one has bothered to single out one of the impromptu group members as a de facto leader. That seems fair, since, of the six musicians heard in varying combinations, four of them -- guitarist
Kenny Burrell, pianist
Cedar Walton, bassist
Ron Carter, and drummer
Lenny White -- could rank as bandleaders, and yet no one steps out so much that he takes over the date. That would be inappropriate given the laid-back nature of the material, all of which is blues (in the jazz sense), with one track each written by
Burrell,
Walton,
Carter, and
White, plus jazz evergreens by
John Coltrane and
Oliver Nelson and a standard, "You Go to My Head." Saxophonist
Craig Handy joins the basic quartet on all tracks except
Walton's "Dear Ruth," and trumpeter
Tim Hagans plays on
White's "Uno Dos Adios," "Dear Ruth," and "Stolen Moments." In keeping with the material, the performances have a late-night feel, easy and informal, resulting in music that, while it was created in 1995, could just as easily have come from 1955. ~ William Ruhlmann