Penance's third album, 1999's
Proving Ground, was their first in five years and kicked off a very productive, far more stable new phase in the band's thus-far troubled career. It also marked the recording debut of new vocalist Brian Bailich (who'd already been singing with the band for almost two years), and his confident combination of melody and muscle brought a new versatility to help expand the scope of the band's mid-paced doom metal songwriting. The opening title track already hints at this, but it's with second song, "Cloudless," that the Pittsburgh doomsters' really hit their stride, locking into a rolling, surging power riff that quickly tattoos itself into the senses, and rarely relinquished itself thereafter. As with any true doom band,
Black Sabbath is the overpowering touchstone, but glimpses of British doom masters
Cathedral and California titans
Saint Vitus also pepper the likes of "Transcending," "Cast in Grey," and "Slipping" -- all of which regularly showcase excellent solos in the
Iommi/Wino vein from Terry Weston. Traces of the legendary
Vitus/
the Obsessed/Spirit Caravan leader can also be heard in Bailich's more tortured tones, and drummer extraordinaire Mike Smail also reaffirms his considerable reputation with a powerful show of force behind the kit. Even more significantly,
Penance's collective performance on additional highlights such as "Dead Already" and the unusually groove-intensive "Never Lost" clearly signals their arrival as contenders with a distinctive voice. ~ Eduardo Rivadavia