Metallica recorded so much material for
Load -- their first album in five years -- that they had to leave many songs unfinished, otherwise they would have missed their deadline. During the supporting tour for
Load, they continued to work on the unfinished material, as well as write new songs, and they soon had enough material for a new album,
Reload. The title suggests that
Reload simply is a retread of its predecessor, and in many ways that's correct -- there's still too much bone-headed, heavy Southern rock for it to be anything other than the sequel to
Load -- but there's enough left curves to make it a better record.
Marianne Faithfull's backing vocals on "The Memory Remains" complement the weird, uneasy melody, and "Where the Wild Things Are" has an eerie menace that
Metallica never achieved on
Load. There are also a couple of ballads and country-rockers that don't work quite so well (it's never a good idea to have an explicit sequel, as on "The Unforgiven II"), and that, along with a few plodding
Metallica-by-numbers, is what keeps
Reload from being a full success. Still, the towering closer, "Fixxxer," along with handful of cuts that successfully push the outer edges of
Metallica's sound, make the record worthwhile.