After a major-label act passes its commercial heyday, the major label generally is left in control of the act's back catalog of recordings, and begins looking for ways to exploit it beyond just enjoying the residual sales of existing albums. Greatest-hits sets are one way to re-package material for re-sale, but what about all those tracks that weren't hits? How can they be recycled to bring in more revenue? One popular way is to cull ballads out for a "love songs" collection and release it around Valentine's Day. Here's another way: extracting a set of up-tempo numbers. In the case of
Styx, of course, compiling an album called
Rockers allows the current leaders of the group, James Young and
Tommy Shaw, to assert their version of the band as a hard-rocking unit over departed singer
Dennis DeYoung's more progressive and theatrical approach.
Rockers, its tracks drawn from the band's 1975-1990 tenure on A&M Records, consists largely of LP tracks (the exceptions being the chart singles "Blue Collar Man [Long Nights]," "Renegade," and "Love Is the Ritual" and the non-chart single "Crystal Ball").
DeYoung is present on vocals and keyboards, but he is nearly cut out of the songwriting credits, his name appearing only as co-writer on "Snowblind" and "Little Suzie." Besides reducing
DeYoung's role, the compilation emphasizes lesser-known
Styx tracks; for example, the hit "Too Much Time on My Hands," though written by
Shaw and very much a rocker, is not included. The result is a collection
Styx fans can bang their heads to throughout without ever having to worry about taking out their lighters. But rocking remains only one of the things the group could do. ~ William Ruhlmann