Name: Sacrifist par Praxis
Brand: Praxis
SKU: 803680042755
Price: 7.92 USD
Availability: OnlineOnly
Rating: 3 (56 reviews)

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1

Cold Rolled / Iron Dub Voir sur Youtube

01:34

Popularité 3/10

01:34

Lire l'aperçu Voir sur Youtube
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2

Crossing Voir sur Youtube

06:22

Popularité 3/10

06:22

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3

Deathstar Voir sur Youtube

02:19

Popularité 2/10

02:19

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4

Nine Secrets Voir sur Youtube

05:23

Popularité 2/10

05:23

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5

Rivet Voir sur Youtube

09:47

Popularité 2/10

09:47

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6

Stronghold Voir sur Youtube

06:17

Popularité 4/10

06:17

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7

Suspension Voir sur Youtube

03:16

Popularité 2/10

03:16

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8

The Hook Voir sur Youtube

09:43

Popularité 1/10

09:43

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The second disc of Bill Laswell and Buckethead's project Praxis is much less of a band effort and much heavier in tone. Laswell calls in some of his associates for various tracks, which makes this more a revolving-door project. Many tracks are speed/thrash metal at their noisiest; most notable of these is "Rivet," which combines Buckethead's ultra-heavy guitar riffs and shredding solos with sounds of shattered glass for an unbelievably aggressive experience. There's also a short dub interlude ("Iron Dub") and a hip-hop freakout with lots of scratching and high-pitched shrieks ("The Hook"). P-Funkers Bootsy Collins and Bernie Worrell (both also featured on the first disc, Transmutation) each contribute one lengthy track: "Deathstar," with Bootsy's free-form bass explorations, and "Crossing," featuring Bernie's psychedelic improvisation on a distorted Hammond organ. Also thrown into the mixture are Mick Harris (Napalm Death, Scorn) and Yamatsuka Eye (the Boredoms) screaming at the top of their lungs, plus John Zorn on some shrill alto parts and game calls, the band Blind Idiot God, and lots of frightening ambient sounds, noises, and samples out of Shinya Tsukamoto's cult movie Tetsuo: The Iron Man. All this adds to the overall assault on your senses. Though this is a great disc, it will put most beginners off by its mind-numbing intensity; many advanced listeners may also get lost. Only those who feel comfortable with aggressive noise may really enjoy this. There's been a particular CD reissue that should be avoided: all of the tracks are put into one lengthy CD track, with very low sound quality, and half of "Crossing" is missing. This reissue can be easily identified by looking at the back cover, which has the name of producer John T. Matarazzo listed; he was not credited on the first release. ~ Christian Genzel