Connected in the '80s and '90s to
Afrika Bambaataa's Zulu Nation and
Ice-T's Rhyme Syndicate, and in the 2000s one-third of
Sa-Ra,
Shafiq Husayn releases his first solo album following an excellent vinyl-only beat suite EP for Poo-Bah. Issued just a little over three months after
Sa-Ra's Nuclear Evolution,
Shafiq En' A-Free-Ka is a sonically sprawling album in which the balance between spirituality/ancient Egyptian roots and Hollywood perversions -- the
Sa-Ra lyrical dichotomy, more or less -- swings all the way to the former. (The album cover's resemblance to that of
Eddie Kendricks'
People...Hold On, with
Husayn sitting proudly with a spear directed skyward, doesn't seem like mere coincidence.) Although this is largely the work of the multi-instrumentalist, producer, vocalist, and occasional MC, a dozen featured collaborations give the album the feel of an informal and relaxed studio session, not unlike a
Sa-Ra album. And there is plenty of the expected: advanced mutations of hip-hop, soul, and jazz, with synthesizers emitting funked-up chunks as often as space vapor and grimace-inducing beats that resemble early-'70s
Sly & the Family Stone in some kind of star-bound spin cycle. During the album's back half, however,
Husayn throws in quite a bit of the unexpected. He touches upon droning Krautrock, harmony-rich dream pop, tropical quiet storm, and dubby psychedelia, and the finale is gorgeous and defiant, with thrumming bass frequencies and singing strings dancing together as a chorus repeats "Devil man's tryin' to hold ya/Break away, rebel soldier." A stimulating, complex, yet loose extension of his stellar contributions to
Erykah Badu's New Amerykah, Pt. 1,
Shafiq En' A-Free-Ka eclipses Nuclear Evolution, if only slightly, and that's saying a whole lot. ~ Andy Kellman