Singer/songwriter
JD McPherson's 2010 debut album,
Signs & Signifiers, is a rockin', bluesy, forward-thinking album that subtly breaks the conventions of most vintage rock projects. Produced and recorded with the retro expertise of bassist/guitarist
Jimmy Sutton, the album is a gold mine of '50s-inspired rock and R&B, with some rockabilly twang thrown in for maximum effect. That said,
McPherson actually draws from a wide and eclectic array of influences including
Son House,
Charlie Feathers,
the Wu-Tang Clan, and sundry blues and soul artists from Guitar Slim to
Sam Cooke. The through-line that ties all of these influences together is
McPherson's powerful and robust voice, which balances the shouter style of mid-century legends like
Lloyd Price with a smoother, more controlled approach that falls somewhere between
Gene Vincent and
Clyde McPhatter.
McPherson is a singer/songwriter in the truest sense, and his original tunes are a cut above the average retro-rockabilly artist both melodically and lyrically. Such songs as the driving, Twist-ready leadoff single, "North Side Gal," and the explosive album closer, "Scandalous," bring to mind jukebox-fueled impromptu dance parties. Which isn't to say
McPherson is merely interested in old-school sounds. On the contrary, tunes like the bluesy, spiritual-inspired title track (which borrows
the Smiths' oscillating guitar intro from "How Soon Is Now") and the soul-blues dirge "A Gentle Awakening" with its symphonic strings and piano background bring to mind classic '60s cuts by
Ray Charles, as well as contemporary numbers by
Alicia Keys. The album does benefit greatly from the vintage, live-recording aesthetic that
Sutton and engineer Alex Hall have perfected over the years with other similarly inclined bands like
the Four Charms and
the Del Moroccos. It also doesn't hurt that
McPherson is backed here by a bevy of roots musicians including drummer Hall, saxophonist
Jonathan Doyle, guitarist
Joel Paterson, and others. Ultimately, as the album's conceptual title implies,
Signs & Signifiers paints a picture of
McPherson as a kind of post-structuralist retro-rocker, living in the moment with one boot in the past and the other boot in the future. ~ Matt Collar