Long a Chicago club mainstay,
Duncan sings and blows harp in the time-honored 1950s style of that city's rich blues tradition. Backed by the Rockin' Johnny Band,
Duncan runs through a set of originals and old favorites that proves that there's still a few of the old timers left who can deliver the goods.
Duncan's harp is replaced by
Martin Lang on three tracks and Eddie Taylor Jr. takes over the guitar chores on two tunes, and is particularly effective on "Tribute to Jimmy Reed." Although some of
Little Arthur's originals skirt the issue of copyright and his timing is suspect in spots, this is one fine album of journeyman blues sung and played with a whole lot of feeling.