After
bis' first album seemed to put a period at the end of their early iteration as a riotous grrrl/boy trio, the band needed to change things up a bit to keep from being stuck in first gear. On 1999's
Social Dancing, they tried a whole bunch of different stuff, from more punky rave-ups to slinky trip-hop, and if the end result is a little scattered, it's also an enjoyable mess. When
bis fit the pieces together in the right way, they end up with genius pop music like the rollicking "I'm a Slut" or the raging "The Hit Girl." Here they take the simple formula they were working with before and supercharge it, adding new wave synths and hyper-competent guitar work. The bulk of the album follows this basic set-up, with
Manda Rin yowling happily and
John Disco and
Sci-Fi Steven making lots of streamlined racket. When they stretch a little, the results are less reliable. On one end of the spectrum, "Eurodisco" is a glittering shard of Euro-disco that everyone from
Cerrone to
LCD Soundsystem would be happy to call their own creation, on the other is the
Massive Attack-flavored "Detour," a song features some ill-advised rapping and a mood that is just too foreign to
bis for them to make work. Fortunately, the scales are tipped decidedly in favor of good and the album works as a transitional move that's not only a solid step forward but also a total blast to listen to.