Three weeks after completing his meeting with
Luiz Bonfá and only two days after the epochal
Getz/
Gilberto sessions,
Stan Getz was back in the studio recording more bossa nova. Producer
Creed Taylor was obviously striking while the iron was hot, getting in as many Brazilian sessions as he could, yet the quality of the music-making remained consistently marvelous. Continuing his practice of running through one star guitarist after another, this time
Getz has
Laurindo Almeida as the designated rhythm man, featured composer, and solo foil. The rhythm section is an authentically swinging mixture of American sidemen (including
Steve Kuhn on piano and
George Duvivier on bass) and Brazilian percussionists.
Almeida didn't like to improvise, so his solos stay close to the tunes, inflected with a perfectly matched feeling for the groove along with classical poise.
Jobim's "Outra Vez" is a particularly lovely example of
Getz's freedom and effortless lyricism contrasted against
Almeida's anchored embroidering. Sessions like these might have been seen as cashing in on the boom at the time, yet in the long view, one should be thankful that these musicians were recording so much cherishable material.