The first
Clutch studio release in over two years,
Strange Cousins from the West is their ninth studio effort; their second recorded with producer
J. Robbins at his Magpie Cage Studio in Baltimore, MD; and their first original studio release on their self-owned label, Weathermaker Music. If you're familiar with
Clutch at this point in the band's career (after almost 20 years), there aren't too many surprises; it's another album filled with greasy, bluesy, down-home stoner rock. One slight variation this time around is that keyboardist
Mick Schauer isn't on board -- bassist
Dan Maines, drummer
Jean-Paul Gaster, guitarist
Tim Sult, and vocalist/guitarist
Neil Fallon recorded as a four-piece -- and the lack of a Hammond organ and the stripped-down production give the album a rawer, more organic, and more spatial feel. This leaves more room for the beefy bass tone and delirious lyrics ("Anthrax, ham radio...and liquor!") to shine, but because the grooves are a touch slower and more restrained,
Strange Cousins from the West is a step down from their last three albums,
From Beale Street to Oblivion,
Robot Hive: Exodus, and
Blast Tyrant. Even if it's a little less lively, it's still pretty typical
Clutch: always heavy, always solid, and ideal background music for driving a semi-truck through a swamp.