A strictly ambient, drummerless set, 1990's
Stroking the Tail of the Bird is like an hours' worth of purified essence of
Gong, lacking the forced attempts at conceptual structure and bouts of prog rock noodling that littered the band's '70s albums. Recorded by
Daevid Allen on his trademark glissando guitar with former
Gong associates
Harry Williamson on keyboards and
Gilli Smyth on wordless "space whisper" vocals, these five lengthy tracks are pure ambience, with minimalist layers of sound rippling through an otherwise empty soundscape. In other words, think
Brian Eno, not
the Orb, but next to the ultra-sparse, at times nearly silent
Stroking the Tail of the Bird, even albums like
Music for Airports or
Thursday Afternoon sound gussied-up and busy. Most impressively, the Voiceprint reissue from 1999 adds a previously unreleased ten-minute meditation called "Deep Sea" that was recorded by
Allen,
Williamson, and
Smyth in 1975 (!!), but sounds like it came from these very sessions.