Before it was released, Baton Rouge rapper
Lil' Boosie explained that
Superbad -- which on the spine adds the subtitle "The Return of
Boosie Bad Azz" -- was recorded with the ladies in mind. He explained that women buy product and don't like any "static-ass-burnt CD," but skipping the sexism argument, it is worth noting that
Superbad is glammed-out
Boosie by design and not some major-label repackaging of a naturally gutter artist. When the opening "My Avenue" declares "All I want is my paper/I don't care what they say," the slick,
Runners-produced track gives the album's motivation right off the top. The mixtape
Boosie -- the darker and more vicious
Boosie -- is still recognizable on hardcore tracks like "No Mercy" and "Pain" but the bitter "Bullsh*t" is more in line with the rest of the album as it turns disgust into a singalong chorus with a wicked hook. The sugary sweet ballad "Miss Kissin' on You" is the only true dud on this 16-track album which, with the help of some well-chosen guests and a handful of exciting
B Real productions, always entertains. Even if it all comes off as something the equally whiney
Webbie has done before, his Louisiana brother
Boosie sounds like he wants it more, making this scrappy and crafty party album all the more magnetic.