The legendary guitarist for
Mitch Ryder,
Alice Cooper,
Lou Reed, and session man for
Aerosmith, among others, creates a monumental solo disc with
Kiss/
Pink Floyd wizard
Bob Ezrin and co-producer
Brian Christian. Opening with a deluxe instrumental version of
the Byrds' "Eight Miles High," for fans of '70s rock, this collection contains many revelations. "Eldorado Street" is a variation on
Steve Hunter's magnificent composition simply titled "Intro" that was the opening number at
Lou Reed shows starting on September 1, 1973, when the "Rock & Roll Animal Band" took stage at Lenox, MA, for the first time. The intro mutated during the tour and may have even inspired
John Cougar Mellancamp's song "I Need a Lover."
Reed reportedly had a band called L.A. & the Eldorados, so perhaps the title is a tip of the hat to
Hunter's former lead singer. The traditional tune "Goin' Down" is arranged by
Hunter and includes his first vocal on the disc. It's a country-style folk tune reminiscent of
Robert Johnson. A progressive instrumental entitled "Rubberman" sounds like the
Edgar Winter Group on the verge of taking on
Average White Band, anathema to
Hunter's fans, but his guitars save the day and keep it from falling into the funk zone. "Of All Times to Leave" is pretty, a simple excursion into the mood set by the album cover, seagulls and seashore. An absolute gem here is a totally brilliant instrumental version of
the Beach Boys' classic "Sail on Sailor." This take is innovative, creative, with background vocals coming out of nowhere. It is a treat and seems to set up the "theme side" of the
Swept Away album -- the magic of water. A well-produced title track (also instrumental) seems to be the second of a four part suite -- its melodies blending into the "Sea Sonata" -- a tour de force with guitars, a subdued but effective vocal, and classic
Bob Ezrin production. "Deep Blue" concludes the album, with bending guitars, almost Hawaiian -- and conjuring up imagery from
George Harrison's
All Things Must Pass album. Though
Harrison has a song of the same name, this is a
Hunter original. A textbook for musicians who should be studying the work of this great session man, and a treasure chest for fans of
Reed,
Cooper,
Ryder, and '70s guitar sounds. ~ Joe Viglione