Michigan based multi-instrumentalist Rob Crozier expresses many music confluences in simultaneous contexts and diverse dialects for this project where he is the sole musician. Though many pieces are short stories, tone poems, or romps, the feeling of expansiveness is prevalent no matter their length. Using acoustic or electric bass guitar and MIDI driven electronics as a foundation, Crozier creates basic soundscapes that allow him to expound exponentially on an improvisational level. This is not overtly melodic or dance music, but rather theater of the mind sonic color portraits. The opener "Drive" has Detroit radio sports talk show host Jeff DeFran interviewing open wheel racer Willie Ram, while arced, shorted-out, surging fluid sonic swoops whistle in the background. "Capillary Rush" is the most basic cool groove-oriented piece paying homage to Jaco Pastorius, a harmonica lead line during "Ballad of Good Clean John" nods to an industrial horizon fed by buzzing electric guitar, and a folkish guitar identifies "Lodi." "Bermuda Shuffle" is oceanic, percussive, and Latinized, while probing acoustic solo bass on "Mooseleg" suggests Crozier's personal sound. The two extended spontaneous compositions, at about ten minutes, come at the end of the CD. "Cricket's and Mobile's" is an electronic moon wash Wall of Sound with latent vocal anguish inserted. The lone piece with accompanying personnel, "Moneeb à la Turka," mixes high-octave electric leads, low-end bass bottom, and rocking drums with a whirling dervish Turkish dance motif. An initial project, probably one of many as sidebars, it alludes to the possibilities in creative music of the future with new media variables to be experimented with.