In 2003
the Pink Spiders released
Hot Pink on the tiny C.I. label. It was tinny, tough, and raucous garage punk-pop and it caught the ear of someone at Geffen. The band was signed and whisked into the studio with
Ric Ocasek to re-record the best songs from the album and add a handful more.
Ocasek, the band, and some studio musicians stripped off all the grit from
Hot Pink, replaced the tinny sound with a booming, arena-ready sound, and came up with
Teenage Graffiti, a safe and slick pop/rock record that doesn't sound too much different than what
Hilary Duff passes off as punk. Sporting lushly stacked guitars, sparkling vocal harmonies, and the occasional decorative keyboard, tunes like the bopping "Nobody's Baby" and "Saturday Night Riot" sound like perfect slumber party jams, "Hey Jane" is tailor-made for waving glow sticks back and forth while waiting for the headlining act to hit the stage, and the rest is catchy, energetic, and light as a feather. Some even step outside of strict pop-punk guidelines, like the piano-based mid-period
Kinks-influenced ballad (with strings, even) "Adelaide" or the silly
Beach Boys vocal harmonies and mock metal soloing of "Pretend That This Is Fiction." The lyrical concerns are girls, punk girls, and being as punk as possible, preferably with girls. There are the occasional lyric references to cigarettes, sex, or drinking that may have to be explained to the preteen punk set, but these are mostly done in a cute and cartoony way. In fact, everything about
the Pink Spiders from their look to the song titles to the band names (
Bob Ferrari -- real or not, that's a cool name for a drummer) is a cartoon, and if you approach the record expecting plastic cartoon punk, it is a satisfying and fun listen. More fun than
Good Charlotte, less gloomy than
My Chemical Romance, and tougher than
Ashlee Simpson,
the Pink Spiders fill a need for safe punk bands that don't totally stink. [The record was also released in an edited version that bleeps one objectionable word.] ~ Tim Sendra