Since
Paul Desmond only recorded two albums for CTI, this best-of accumulation from that label stretches the definition a bit by including
Desmond appearances on other CTI albums by
Jim Hall,
Chet Baker,
Don Sebesky, and
Jackie & Roy, along with extensive samplings from the solo albums. Of course, a more sweeping idea would have been to raid Columbia's vast
Dave Brubeck archives for more prime
Desmond, but the archivists presumably wanted a more musically unified package. In any case, during this period
Desmond was working at a very relaxed pace, recording now and then, fitting into the carefully produced small-group CTI format and a handful of orchestral sessions. He plays beautifully at all times, with
Creed Taylor's production inflating the famous dry-martini alto sax tone into something fuller and lusher. Yet he didn't have too much that was new and striking to say at this stage; the earlier
Creed Taylor A&M releases are more eloquent and
Desmond's true Indian summer would come in his later Horizon recordings with and without
Brubeck. Standouts include the lopsidedly swinging remake of "Take Ten" with
Gabor Szabo on guitar; two tracks from Pure Desmond with guitarist
Ed Bickert as
Desmond's subdued, inspired new sidekick ("Squeeze Me," "I'm Old Fashioned"); and an absolutely gorgeous "Song to a Seagull" from
Sebesky's Giant Box. As a summation of a particular period of
Paul Desmond's career, there is plenty to enjoy here. ~ Richard S. Ginell