In October 1987, keyboardist/computer wiz
Richard Teitelbaum and violinist
Carlos Zingaro performed at the Festival International de Musique Actuelle de Victoriaville. The next year the label Disques Victo released
The Sea Between, comprised of three improvisations from that show. For the CD reissue in 1993, the label added 18 minutes of material in the form of three excerpts from a performance in Lisbon during November 1992. Playing with electronics -- especially with computers -- the danger here was the inevitable difference in the technology used over a six-year span. Surprisingly, it is not the case, even though overall there are more synthesizers in the later pieces. On "Golem Sketches," the two musicians play a game of call and response:
Zingaro leads the way, first uttering short musical phrases that
Teitelbaum refeeds immediately, transformed. The violinist quickly adapts, creating textures suitable to his partner's environment, only to be surprised by unexpected developments. It goes on for 24 minutes of playful hide and seek. "The Sea Between" and "Sciences Humaines Op. 03" call for a lusher synthetic environment and a more participative role from
Teitelbaum. Alien aerial (yes, more airborne than seaborne) landscapes are sketched, and the music often gets close to
Peter Frohmader or some electro-acoustic music for instrument and tape (
Serge Arcuri or
Paul Dolden, for example), except that this is a real-time interaction with a violinist acting as both responding improviser and provider of source material. "The Structure #01" and "The Ghosts of Srebrenica" don't bring much to the album, but the inclusion of "Sciences Humaines Op. 03" is a welcomed addition.