Active Ingredients is a group who walk the line. Led by drummer and composer
Chad Taylor,
Active Ingredients reflects his dual citizenship in the vanguard jazz worlds of New York and Chicago by using three players form each city, with himself as the anchor. From New York, saxophonist
Jemeel Moondoc, bassist
Tom Abbs, and trombonist
Steve Swell are on one side, and from Chicago, cornettist
Rob Mazurek, saxophonist David Boykin, and percussionist Avreeayl Ra balance out the equation.
Taylor's drumming acts not so much as a link as a hinge, a linchpin on which the entire proceeding turns. The result is a wildly adventurous date that swings across continents in its musical approach, from North America to Southern Africa, and regards both freewheeling improvisation and elegant composition equally. If one only uses "Song for Dyanni," as evidence, one can hear the triple-timing syncopation
Taylor provides as a basis for melodic invention. The interplay between
Moondoc and Boykin is uncanny, and the way
Swell and
Mazurek fill the surrounding space with joyous bleats and cavernous legatos allows the rhythm section to punch through the middle and create the notion of song. The Afro-Cuban rhythmic setup of "Slate" stands in sharp contrast to Boykin's free blowing intensity in the opening solo, burrowing a way down into a tonal center from which everything else revolves. "Modern Mythology," offers a series of long, loping, front-line statements before giving way -- via
Abbs' bass and
Taylor's cymbal work -- into something altogether abstract and harmonious. The free improvs, such as "Velocity" and "Absence," offer textural studies that integrate the various tonalities of the front-line players into multivalent musical languages. In essence,
Titration is a brilliant articulation of balance, not only between two approaches to the jazz avant-garde, but also of the new composition that relies so heavily on free improv. ~ Thom Jurek