Unquestionably one of
Mancini's greatest achievements, this score to the classic 1958
Orson Welles film of scandal and intrigue along the Mexican border used a lot of appropriate Latin accents: Afro-Cuban percussion, smoky Tijuana jazz jive, and honky tonking instrumental jump blues with a strong rock & roll flavor. Both ominous and exuberant in its evocation of temptation and deceit, it attracted the specific praise of no less a critic than François Truffaut. ~ Richie Unterberger