Having experienced initial fame and its retreat,
the Charlatans (perhaps somewhat self-consciously) set out to create a series of classic-rock-inspired albums, fusing everything from
Dylan and
the Stones to whatever else caught their fancy.
Up to Our Hips, the first result, was produced by
Steve Hillage, who made a career ranging from wacked-out hippie ramblings in
Gong to the clean, inspired synth/Krautrock surge suffusing his production for
Simple Minds. One thing he contributed to
the Charlatans was more active percussion. While
Flood didn't hide the drums on
Between, on "Come In Number 21"
Brookes' work feels strong and punchy for the first time. While production was a touch more straightforward than on
Between,
Hillage otherwise let
the Charlatans be
the Charlatans; where changes are apparent, it's more in the name of atmosphere than attention-getting, especially on the echoed, rumbling funk instrumental "Feel Flows" (excellent
Blunt bass and
Rob Collins clavinet on this one). The band stretches with the lovely, acoustic stomp "Autograph";
Mark Collins' guitar work was, increasingly, a larger part of the band's sound than
Rob Collins' Hammond, but both worked well together. The laid-back lead single "Can't Get Out of Bed"'s lazy
Exile on Main Street vibe and the equally groovy "Patrol" and "Jesus Hairdo" showcased both of their work to good effect, especially on the breaks between chorus and verse.
Rob Collins certainly still has his moments -- witness the opening build to the title track, another great effort with
Blunt.
Burgess sounds his strongest yet; while his singing still lurks in the mix more than anything else, he never disappears entirely. ~ Ned Raggett