On the second album of
Alternative TV, Mark Perry and friends did to punk exactly what the movement had intended for the establishment. About-facing punk and turning it on its ear would be a difficult task in 1980, and while
Alternative TV's peers headed down new wave paths or into commercialism, the authors of the quintessential "You Bastard" single (regarded by many,
John Peel included, as a classic) and, of course,
The Image Has Cracked LP, which remains on a par with the first
Sex Pistols or
Clash albums for genre-defining punk, who would have expected a follow-up as avant-garde abstraction that challenges
P.I.L's
Second Edition for absolute left-field swing? With
Genesis P-Orridge in the ranks, Vibing Up the Senile Man became closer to free improvisation and avant-garde jazz without a punk anthem in sight, and a dub edge to some of the tracks of the double LP suggest that
Alternative TV had similar modernist aspirations to
John Lydon's post-
Sex Pistols project.
Captain Beefheart and
Frank Zappa spring to mind as much as
Pere Ubu and the
Red Krayola, who were similarly exploring the avant-garde liberties of post-punk and disappointing the punks and record industry alike. What Vibing Up the Senile Man represents two decades later is a door opening on multi-faceted post-rock music -- which draws on avant-garde, noise, and jazz and arguably makes more sense in the context of year 2000 as a musical treasure much more than in 1980, when it seemed simply a spit in the eye to the industry that codified punk. [Anagram's reissue appeared in 1996.] ~ Dean McFarlane