It is ironic that tenor saxophonist
Al Sears' one hit, "Castle Rock," was recorded under
Johnny Hodges' name (the altoist is virtually absent on the record), denying
Sears his one chance at fame.
Sears had actually had his first important job in 1928 replacing
Hodges with the
Chick Webb band. However, despite associations with
Elmer Snowden (1931-1932),
Andy Kirk (1941-1942),
Lionel Hampton (1943-1944), and with his own groups (most of 1933-1941), it was not until
Sears joined
Duke Ellington's Orchestra in 1944 that he began to get much attention. His distinctive tone, R&B-ish phrasing, and ability to build up exciting solos made him one of
Ellington's most colorful soloists during the next five years, although his period was overshadowed by both his predecessor (
Ben Webster) and his successor (
Paul Gonsalves). Among
Sears' many recordings with
Ellington are notable versions of "I Ain't Got Nothing but the Blues" and a 1945 remake of "It Don't Mean a Thing."
Sears worked with
Johnny Hodges' group during 1951-1952, recorded a variety of R&B-oriented material in the 1950s, and cut two excellent albums for Swingville in 1960 before going into semi-retirement. ~ Scott Yanow