It's something of a cliché to say that a musician "stubbornly refuses to be categorized," but with
Alan Licht, that statement is simply the truth. Though the guitarist's body of work encompasses noise rock, alternative pop/rock, improvisational music, free jazz, minimalism, musique concrète, electronics, and plenty of other stops within and outside those boundaries,
Licht has managed to do so without ever chaining himself to any one style, and his muse is one of the most unfettered in contemporary music.
Alan Licht was born in New Jersey on June 6, 1968. His parents enjoyed opera and show tunes, and
Licht says he had no interest in rock & roll until 1978, when seeing teen idol
Shaun Cassidy on television changed his mind about popular music. When
Licht saw the painting of
Paul McCartney and
Wings on-stage in the gatefold of the live album
Wings Over America, he decided playing the guitar looked cool and began studying the instrument. As a teenager,
Licht's tastes quickly advanced from classic rock to
the Velvet Underground, and he soon embraced a heady variety of punk and new wave acts ranging from
the New York Dolls and
the Clash to
Mission of Burma and
Public Image Ltd. Licht also began investigating avant-garde jazz after reading reviews of
Cecil Taylor and late-period
John Coltrane albums that piqued his interest, but when
Licht's guitar teacher lent him a copy of
Steve Reich's pioneering minimalist work
Music for 18 Musicians, it had a profound effect on his musical thinking and he began experimenting with forms and concepts outside the traditional pop framework, especially serialism and drone patterns.
Licht's studies in experimental music continued as he discovered the work of
La Monte Young, unearthing rare recordings of
Young's group the Theater of Eternal Music.
After graduating from high school,
Licht attended Vassar, where he majored in film studies and played in a few tongue-in-cheek punk bands (his previous stage experience involved a high-school cover band), but in 1987 he formed the group Love Child with Will Baum and Rebecca Odes, whose music fused some of
Licht's adventurous ideas with post-punk alternative rock. Love Child released their first album, Okay?, in 1991; by this time,
Licht had also begun collaborating with experimental guitarist Rudolph Grey, and in 1993, the same year Love Child released their final album, Witchcraft,
Licht made his debut with Grey's ensemble the Blue Humans, whose work reflected the influence of free jazz and the downtown no wave scene.
Licht next joined the band Run On, whose songs provided an unusually accessible context for his guitar work; he made his debut with them on the 1995 EP On/Off, and would go on to record two full-length albums with the group. (
Licht also briefly toured as guitarist with former
Love frontman
Arthur Lee, though
Licht's commitments with Run On and
Lee's arrest on gun charges guaranteed the partnership was short-lived.)
Licht's solo guitar pieces had popped up on a few compilation albums and self-released 7" singles in the early '90s, and in 1994 he issued his first solo effort, Sink the Aging Process, which featured two extended pieces, one a minimalist variation on
the Minutemen's Polarity. Since then,
Licht has released a steady stream of solo material and collaborations with other artists, including
Jim O'Rourke,
Keiji Haino,
Loren Connors,
Aki Onda, and
Oren Ambarchi. He has also performed and recorded with
Text of Light, an ensemble whose work accompanies the films of Stan Brakhage and also features
DJ Olive,
Lee Ranaldo of
Sonic Youth, and free jazz drummer
William Hooker. In 2007,
Licht released another "all-star" collaboration, Nothing Makes Any Sense, with
Nels Cline,
Lee Ranaldo, and
Carlos Giffoni.
Everydays, a collaboration with
Aki Onda, was released by Family Vineyard in 2008. The label also issued
Licht's solo album
YMCA the following year, and
Into the Night Sky (with
Connors) in 2010.
In 2013, Editions Mego released
Licht's solo album
Four Years Older. He also became a member of
Ranaldo's band
Lee Ranaldo & the Dust; their debut album, Last Night on Earth, was released by Matador, also in 2013. During the next few years,
Licht released collaborative albums with
Brian Chase (We Thought We Could Do Anything),
Onda and
Connors (Lost City), and
Henry Kaiser (Skip to the Solo), in addition to the solo acoustic LP Currents.
Licht also collaborated with
Tetuzi Akiyama,
Ambarchi, and
Rob Mazurek under the name
Licht-Akiyama Trios. Their CD
Tomorrow Outside Tomorrow was issued by Editions Mego in 2016. When not busy with music,
Licht has also earned a reputation as a talented music journalist, having published numerous articles in The Wire and Halana, and he's also created sound installations that have been presented at major galleries around the world. ~ Mark Deming