Britain's
Harry Bicket is a fixture of that country's early music scene and an unusually versatile musician whose activities extend to operatic and orchestral conducting, harpsichord, and organ. He has long been associated with
The English Concert, part of the first major wave of British early music groups.
Bicket was born in Liverpool in 1961 and attended Radley College, Christ Church, Oxford, and the Royal College of Music as an organ student. After finishing his studies, he began to find major organ posts: first at St. George's Chapel, Windsor, and then as sub-organist at Westminster Abbey, playing there in 1986 at the wedding of Prince Andrew and Sarah Ferguson. He also began performing with
The English Concert as a harpsichordist in 1984, continuing to appear with the group for many years. His conducting career began to grow, especially after a well-publicized stand-in appearance at the 1996 Glyndebourne Festival, leading such major stars as David Daniels,
Lorraine Hunt Lieberson, and
Dawn Upshaw. The early 2000s saw
Bicket appear as an operatic conductor at Covent Garden in London in
Handel's Orlando with the
Orchestra of the Age of Enlightenment (2003) and at New York's
Metropolitan Opera in
Handel's Rodelinda with
Renée Fleming as the star. The following year, he led the
Orchestra of the Age of Enlightenment on
Fleming's hugely popular album
Handel. He also conducted several
Handel productions at the Santa Fe Opera in New Mexico and was named that organization's chief conductor in 2013; in 2018, he added the title of music director there. He continues to hold the position as of 2022.
Parallel with these operatic triumphs,
Bicket has pursued a career as conductor of
The English Concert, assuming leadership of that venerable historical-performance group in 2007. He has made many recordings with
The English Concert, including an
album of concertos by dall'Abaco, Porpora,
Marcello, and others on the Signum Classics label in 2018. He also conducted
The English Concert on the album Il Caro Sassone with soprano
Lucy Crowe, as well as a recording of early Handel arias by soprano
Alice Coote. In the early 2020s,
Bicket and
The English Concert moved to the Linn Records label, issuing a recording of
Handel's opera
Rodelinda, HWV 19, in 2021, and one of the rare Passion oratorio
La resurrezione, HWV 47, the following year. Both albums featured
Crowe prominently. ~ James Manheim