Although rhythm guitarist and lyricist
Richey James Edwards' assaultive public persona garnered most of the band's headlines in their early days, the heart of
Manic Street Preachers was always singer and lead guitarist
James Dean Bradfield. With his short, stocky physique and hard-man bravado,
Bradfield had an Everyman anti-mystique that anchored
Edwards' considerably flightier proto-
Pete Doherty antics among band's often inchoate political posturing. Together,
Bradfield and
Edwards made
Manic Street Preachers the buzz band of the early days of Brit-pop, before the reconfigured band became worldwide stars after
Edwards' apparent suicide in 1995.
Born in the small Welsh industrial city of Pontypool on February 21, 1969,
James Dean Bradfield claims that his father named him after the doomed American film actor. Early exposure to the first wave of punk bands, especially
the Clash, led
Bradfield to form a band with his cousin
Sean Moore on drums and childhood friend
Nicholas Jones (soon renamed
Nicky Wire) on bass in 1986.
Wire soon convinced his university friend
Edwards to join the band, and the newly rechristened
Manic Street Preachers released their first D.I.Y. single in 1988. A long series of singles and EPs, along with the band's growing live buzz and a notorious incident where
Edwards carved the phrase "4 Real" into his arm in front of a journalist from New Musical Express, led to
the Manics signing to Sony in 1991. Three albums -- 1992's
Generation Terrorists, 1993's
Gold Against the Soul, and 1994's
The Holy Bible -- followed, but
Edwards' increasingly aberrant behavior eclipsed the band's music even in the eyes of many fans. When
Edwards disappeared in February 1995 (his abandoned car found on a bridge near Bristol), many assumed that would be the end of
the Manic Street Preachers.
Instead,
Bradfield reasserted his position as the focal point of
the Manic Street Preachers both on-stage and in interviews (although
Wire took up the job of writing the lyrics) and the new trio lineup released 1996's reflective
Everything Must Go, a crisply commercial pop album somewhat at odds with the glam-infused punk of their early days. Released in 1998,
This Is My Truth Tell Me Yours was equally commercially successful, although 2001's Know Your Enemy and 2004's slick,
Tony Visconti-produced
Lifeblood saw diminishing returns, including the loss of the band's American distribution.
During this period,
Bradfield took on production and remixing jobs for the likes of
Massive Attack,
Kylie Minogue, and fellow Welshman
Tom Jones, before finally releasing his first solo album,
The Great Western, in July 2006. Featuring the single "That's No Way to Tell a Lie" and "An English Gentleman," an affecting tribute to
the Manic Street Preachers' late manager Philip Hall,
The Great Western found
Bradfield returning to the mainstream guitar rock of
Everything Must Go.
Bradfield reunited with
the Manics after
The Great Western, and the group released five albums between 2009 and 2014 before taking another break. During this downtime,
Bradfield composed the original score to the
Ben Parker thriller
The Chamber, which was released in March 2017. He returned in 2020 with the solo effort
Even in Exile, which was inspired by the life of Chilean artist and political activist
Victor Jara, who was killed during the dictatorship of Augusto Pinochet. ~ Stewart Mason