A onetime member of the West Coast neo-psychedelic bands
the Three O'Clock and
Jellyfish,
Jason Falkner went out on his own by 1996, playing jagged power pop with impeccable arrangements, a clue to both his classically trained childhood and additional time spent working on the first LP by another classical popster,
Eric Matthews. Born in Los Angeles in 1968,
Falkner grew up listening to West Coast pop bands like
Love and
Crosby, Stills & Nash but later began taking piano lessons in preparation for a classical career. Pop music regained control of his life when he discovered his sister's punk/new wave collection, and
Falkner began playing the guitar, later appearing in several bands from his high school. Not long after graduation,
Falkner joined
the Three O'Clock, leaders of the Los Angeles paisley underground scene, for their major-label debut (but sixth LP overall), 1988's Vermillion. Though solid, the album was unfortunately their last, and the band broke up soon after.
Less than a year later,
Falkner was convinced by an old friend,
Roger Manning, to move up to San Francisco to join his new band,
Jellyfish, with brother
Chris and
Andy Sturmer. Though the group gained recognition in alternative circles and released a pleasing debut album,
Falkner was unhappy with his role in the band, that of guitarist (and not much else), so he left the band after the one album. Vowing to never play in another band again, he bent the promise not long after by joining the loose collective known as
the Grays, four musicians who hated the confines of most groups and thus decided to do everything in their power to avoid the pitfalls. Being such a laid-back band, however, resulted in the release of just one album, 1994's
Ro Sham Bo.
Again on the dole,
Falkner worked with
Eric Matthews on the 1996 LP
It's Heavy in Here, and finally got what he had been looking for all the time: a solo deal. Through Elektra Records, he released his acclaimed debut,
Presents Author Unknown, also in 1996. Being a solo artist didn't mean that he locked himself away working on his own tunes exclusively. That same year he co-wrote songs for
Brendan Benson's
One Mississippi and played a variety of instruments on
Susanna Hoffs' self-titled album. He continued his relationship with
Matthews, playing on his second album, 1997's The Lateness of the Hour, then in early 1999 issued his own sophomore effort,
Can You Still Feel?, which was co-produced by Nigel Goodrich.
Falkner decided to end his contract with Elektra at this point and turned his attention toward things other than his own music. He did session work for
Chris Cornell and
Soulwax, while also producing an album for
the Brown Eyed Susans. His connection with Goodrich paid off with a gig playing bass for
Air, both on 2001's
10,000 Hz Legend album and on-stage. It wasn't a full-time job, though, leaving
Falkner with time to work again with
Brendan Benson on his 2001
Lapalco album and
Travis on their record
The Invisible Band. Topping off a busy year, the Spin Art label released a collection of
Falkner's home recordings, Necessity: The 4-Track Years; the Japanese label Air Mail Recordings issued a collection of demos and covers called Everyone Says It's On; and Falkner teamed with
Columbia Records to release
Bedtime with the Beatles, a covers album featuring instrumental lullabies of
Fab Four favorites.
Throughout the rest of the decade,
Falkner balanced session work, production, and his own recordings. He worked with
Air,
Beck,
Aimee Mann,
Lisa Loeb,
Ben Lee,
Gnarls Barkley,
Glen Campbell, and memorably,
Paul McCartney, while producing albums for
Anne Soldaat and
Daniel Johnston. He released the
Bliss Descending EP in 2004 for Wreckchords Records and I'm OK You're OK for Noise McCartney Records in 2007, and did a second installment of instrumental
Beatles covers,
Bedtime with the Beatles, Pt. 2, for Adrenaline Records in 2008. Despite being ridiculously busy, he found time to form a synth rock band with his
Jellyfish bandmate
Roger Manning and
Air drummer
Brian Reitzell called
TV Eyes. Their self-titled album from 2006 was only released in Japan, though it was given a deluxe reissue in 2014 by Omnivore Records.
Falkner finished up the new millennium's first decade with the release of his fourth solo album,
All Quiet on the Noise Floor, again on Noise McCartney Records.
The first half of the 2010s was filled with a busy schedule of sessions, including albums by
Charlotte Gainsbourg,
Dwight Yoakam,
Primal Scream,
Blonde Redhead,
Nikki Yanofsky, and his old friend
Beck who, after years of trying, finally prevailed upon
Falkner to join his live band. This gig seemed to slow down his session schedule, though he did produce an album by
Syd Arthur in 2016 and work with power pop legend
Emitt Rhodes on his long-awaited comeback album,
Rainbow Ends. Around that time he teamed with another, far more prolific legend,
R. Stevie Moore, on an album of collaborations, revamped
Moore classics, and even a new
Falkner original. That album,
Make It Be, was released by Bar/None Records in early 2017. ~ John Bush & Tim Sendra