It took bluesman
Joe Louis Walker 20 years to establish himself, but once he released his debut,
Cold Is the Night, in 1986, he quickly became a staple in contemporary blues.
Walker drew upon blues, soul, and gospel in equal measure, a combination that sounded electrifying upon his national debut, but this hybrid also allowed him to play in a variety of settings, both on-stage and on record. Later recordings, such as 1996's
The Gift, 2004's
New Direction, and 2009's
Between a Rock and the Blues offered acclaimed examples of his versatility, leading to a 2013 induction in the Blues Hall of Fame. He made his Alligator debut with 2014's Hornet's Nest, and remained until moving to the Los Angeles based Cleopatra for 2020's
Blues Comin' On, and 2021's
Eclectic Electric, a collection comprising mostly covers.
A native of San Francisco,
Joe Louis Walker began playing guitar when he was eight, and playing out when he was in his teens. His adolescence coincided with the rise of rock, so he began to run in psychedelic circles, playing in the house band at The Matrix and eventually striking up a friendship with
Mike Bloomfield, the guitarist for the
Paul Butterfield Blues Band.
Walker roamed through the San Francisco scene, rubbing shoulders with the
Grateful Dead, eventually making a journey to Chicago before returning to the Bay Area, where he roomed with
Bloomfield.
Walker began to pursue interests outside of blues in 1975. He played with the Spiritual Corinthians Gospel Quartet, while also earning degrees in English and Music from San Francisco State University.
Walker returned to the blues in 1985, following the Corinthians' appearance at the New Orleans Jazz & Heritage Festival. forming a band called the Bosstalkers,
Walker signed to Hightone, releasing his debut
Cold Is the Night in 1986.
Cold Is the Night pushed
Walker's career into high gear. Hightone cranked out
The Gift (1988) and
Blue Soul (1989) in rapid succession, followed by two separate volumes of Live at Slims in 1991 and 1992.
Walker then made the leap to the big leagues, signing with
Verve for 1993's
Blues Survivor. He stayed with
Verve throughout the '90s, releasing a series of albums that found the guitarist dabbling in soul and jazz.
Walker became a reliable figure on festival circuits as well as television during this period, and he started an alliance with
Steve Cropper beginning with 1995's
Blues of the Month Club.
Cropper produced 1997's
Great Guitars and 1998's
Preacher and the President, before
Walker helmed 1999's
Silvertone Blues on his own.
Walker signed with Telarc in 2002 for
In the Morning, the first of a series of albums for a variety of independent labels. Between 2002 and 2006, he recorded for Evidence, JSP Records, Provogue, and, once again, Hightone. In 2008, he settled at Stony Plain Music, which released Witness to the Blues that year and
Between a Rock and the Blues in 2009.
In 2012,
Walker signed with Alligator Records, which released
Hellfire that year.
Joe Louis Walker was inducted to the Blues Hall of Fame in 2014. The next year, he released Hornet's Nest on Alligator. Provogue put out
Everybody Wants a Piece in 2015.
Journeys to the Heart of the Blues, a collaboration with
Bruce Katz and
Giles Robson, appeared in 2018.
Two years later in June,
Walker issued
Blues Comin' On, his debut for Cleopatra. The 12-song set was chock-full of star-studded appearances by a wide range of guitarists including
Jorma Kaukonen,
Eric Gales,
Keb Mo',
Waddy Wachtel,
David Bromberg, and
Albert Lee, among others. It also included acclaimed vocal spots by
Dion, Carla Cooke, and
Mitch Ryder. 2021's
Eclectic Electric offered four originals and seven covers played by
Walker's road band (that included legendary percussionist
Juma Sultan) and guests including
Los Lobos'
Steve Berlin, guitarist
Jimmy Vivino, and guitarist
Waddy Wachtel, who reprised his original role on
Walker's reading of
Warren Zevon's "Werewolves of London." ~ Stephen Thomas Erlewine