Close menu
Shop
Discover
Create an account
Sign in
Language
English
French
Language
English
French
Get a 30% discount on your first order
Create an account
Sign in
DeepRiffs
Layer 1
Shop
Discover
Open menu
Search
DeepRiffs
Layer 1
Search
Search music
Press
⌘
and
K
to search
Free Albums
Connected as guest
Dashboard
My Cart
My Purchases
My Favorites
Account Settings
Theme
Auto
Light
Dark
Auto
Register
Login
Cart
items in cart, view bag
Shopping cart
Close
Notification
Close
esc
Quick search all music
Look for artists, albums, and tracks on the site.
Magic Mike
Artist
Share
Select a module
Release
Track
Video
Profile
Similar
Release
Track
Video
Profile
Similar
DJ Magic Mike, the breakthrough bass producer after 2 Live Crew, was the music's most crucial recording artist. An underground label impresario on the order of Master P, Mike's productions were much rougher than the slick Miami bass sound and pursued a gritty old-school vibe -- more akin to Ultramagnetic MC's than Luther Campbell -- long after most hip-hop producers had gone pop in the late '90s. The former Michael Hampton began his mixing career before he was even a teenager, spinning at a roller rink and selling mixtapes. By the age of 14, he was hosting a drive-time radio show in his native Orlando. He began concentrating on club work after finishing high school, and debuted on wax with 1987's "Boot the Booty" for Vision Records. One year later, local promoter Tom Reich offered DJ Magic Mike a chance at a half-share in his own Cheetah Records if Mike's releases sold well. His first singles under the agreement, "Magic Mike Cutz the Record" and "Drop the Bass," both became big regional hits, sparking the release of his debut album, DJ Magic Mike and the Royal Posse in 1989. He took more of a guiding hand over his own instrumental productions for the follow-up, 1990's Bass Is the Name of the Game, and the album went gold despite its low vocal content. Mike's breakthrough LP, Ain't No Doubt About It, appeared in 1992, followed by the release of two LPs on the same day in late March; both Bass: The Final Frontier and This Is How It Should Be Done charted, and the former went gold. Although his recording schedule continued apace during the mid-'90s (and the number of his full-length releases climbed into the double digits), fewer of his LPs charted. Mike picked up the commercial slack with advertising appearances for Coca-Cola and Pioneer, and has also worked with Sir Mix-a-Lot, 2 Live Crew, MC Shy D, and Poison Clan. The new millennium saw Mike issue Magic's Kingdom and continue his output of mix albums. © John Bush /TiVo
Roles
Artist
Genres
Dance
Breaks
Electronic
Rap/hip-hop
Tech-house
Trance