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Cum autem venissent (Planctus Mariae from the Good Friday Procession and Deposition) [From St Mark's Basilica, Venice]
Gruppo Vocale E Strumentale "nova Cantica", Maria Silvia Roveri
Venetian Sacred Music from the 9th to the 17th Century
Ehu Ehu domine (Lament from the Good Friday Procession and Deposition) [From St Mark's Basilica, Venice]
Sepulto Domino (Responsory from the Good Friday Procession and Deposition) [From St Mark's Basilica, Venice]
Visitatio sepulchri in pascha (Sacred Representation from the Canons' Manuscript in Venice, Book 4, Housed in the Santa Maria della Fava Library) [From St Mark's Basilica, Venice]
Prologue from Apocalypse - Mille anni (Vocal and Instrumental Improvisation of the Text of Psalm 90)
Nova Cantica, Maria Silvia Roveri
Adoration and Revelation, 400 Years of Music in Honour of the Blessed Virgin Mary and the Apocalypse
Revelation of the End of the World from Apocalypse - Canto di Sibilla (Text by St. Augustine)
Despair from Apocalypse - L'acqua mi giunge fino alla gola (Improvisation on the Text of Psalm 69 and 88)
A Voice from Apocalypse - Audivi vocem (Antiphon, G 689, from the Book of Revelation 14:13)
The Lamb from Apocalypse - Ergo agnus veri
Knowledge from Apocalypse - C'è un tempo per nascere ed un tempo per morire (Text Taken from Ecclesiastes 3. 2-8)
De facili contempnit omnia from Apocalypse - Propositum quidem negocii (Motet from the Monastry of Bamberg, 13th Century)
The Power from Apocalypse - Sederunt principes (Organum by Pérotin, 12th-13th Century, from the Monastery of Wolfenbϋttel)
The Seven Seals from Apocalypse - È venuto il tempo di distruggere coloro che distruggono la terra (Book of Revelation, Chapter 11)
When the First Seal Opened from Apocalypse - Mundus a munditia (Improvisation on the Text from Revelation 6:8 with Drums, Conductus from the Monastery of Notre Dame, 13th Century)