A key member of
Sun Ra's
Arkestra, alto saxophonist
Marshall Allen is a distinctive performer whose style bridges early swing and bop traditions with the non-chordal note choices, and explosive, pyrotechnic sound clusters associated with the free jazz movement. Following his emergence in the 1940s,
Allen rose to prominence playing with the
Arkestra in the '50s, and later assumed leadership of the group after the deaths of
Ra and his immediate successor
John Gilmore. Along with his extensive recorded output with
Ra, including 1972's
Space Is the Place,
Allen was a regular collaborator of
Babatunde Olatunji, with whom he emerged as one of the first jazz musicians to fuse the avant-garde with traditional African music. He has also paired up for albums with
Odean Pope,
Ed Blackwell,
Medeski, Martin & Wood, and others. In 2014, he curated the career-spanning
Arkestra anthology In the Orbit of Ra, and in 2019 joined
Arkestra bandmate Danny Ray Thompson for Ceremonial Healing.
Allen was born May 25, 1924, in Louisville, Kentucky, beginning clarinet lessons at the age of ten. After enlisting with the U.S. Army's renowned Buffalo Soldiers in 1942, he played clarinet and alto saxophone with the 17th Division Special Service Band, subsequently forming a trio with pianist
Art Simmons and guitarist
Don Byas while stationed in Paris. After spending the late '40s touring and recording behind
James Moody,
Allen studied at the Paris Conservatory of Music before returning stateside in 1951, settling in Chicago and forming his own dance band. He also began writing his first original compositions.
Circa 1956,
Allen met
Sun Ra, joining the pianist's legendary
Arkestra two years later. He would go on to lead its reed section for more than four decades, over time earning renown as one of the most distinctive and original saxophonists of the postwar era. In tandem with tenorist
Gilmore and baritone saxophonist
Pat Patrick,
Allen played on more than 200
Sun Ra recordings, including such highly regarded albums as 1958's Jazz in Silhouette, 1969's
Atlantis, 1973's
Space Is the Place, and 1986's
Hours After, among many others. He also developed his own reed instrument (dubbed the "morrow") by attaching a saxophone mouthpiece to an open-hole wooden body, but failed to patent his creation, which is now commercially available under different names.
Whenever
the Arkestra went on hiatus,
Allen moonlighted with
Olatunji and his Drums of Passion, even learning to build and play the West African multi-stringed instrument the kora; he also guested on live dates and recordings headlined by a multitude of next-generation musicians, including jam band
Phish, avant-rock combo
Sonic Youth, and hip-hop upstarts
Digable Planets.
When
Sun Ra died in 1993,
the Arkestra's reins were handed to
Gilmore, who himself passed away two years later; at that point
Allen assumed control, leading the 18-piece ensemble well into the next millennium. In addition to giving master classes, lectures, and demonstrations of
Sun Ra's enduring creative principles,
Allen also founded the El Ra label, home to such latter-day
Arkestra recordings as 1999's A Song for the Sun and 2004's Music for the 21st Century.
In 2014, he curated the career-spanning two-disc Arkestra anthology In the Orbit of Ra. Also that year, he joined Chicago DJ Jamal Moss'
Hieroglyphic Being ensemble for the techno and free-jazz collaboration
We Are Not the First. He then joined fellow saxophonist
Odean Pope for 2016's In This Moment. Ceremonial Healing arrived in conjunction with Record Store Day 2019 and featured
Allen playing with fellow
Arkestra bandmate Danny Ray Thompson, keyboardist
Jamie Saft, bassist
Trevor Dunn, and drummer
Balazs Pandi, as well as guest trombonist
Roswell Rudd. ~ Jason Ankeny