Up until the mid-2000s, guitarist
Nels Cline was probably best-known for his work in the group
Quartet Music and other projects in the jazz, rock, and avant-garde idioms, as well as for his general involvement in the West Coast's avant and improv scenes. During the '90s,
Cline recorded a pair of duo outings with
Thurston Moore and
Devin Sarno before embarking on
Interstellar Space Revisited: The Music of John Coltrane with drummer
Gregg Bendian; he joined the latter's Interzone group while leading his own trio, the
Nels Cline Singers. In 2004,
Cline opened up a much larger audience for a jazz guitarist than is typical, joining the alt-country and experimental pop act
Wilco. Whether playing the music of other jazzmen such as
Andrew Hill (2006's
New Monastery: A View Into the Music of Andrew Hill), recording a score to accompany the massive touring retrospective of iconic Los Angeles painter Ed Ruscha (
Dirty Baby), collaborating with guitarist
Julian Lage, jamming and recording with
Medeski, Martin & Wood, or rocking with
White Out,
Cline is a figure with global influence. In 2016, he issued
Lovers, his Blue Note debut, featuring the guitarist leading his own group and a chamber orchestra in a collection of standards and originals. He followed with 2018's
Currents, Constellations and a trio of 2020 albums that included Share the Wealth.
Born in Los Angeles in 1956,
Cline began playing guitar around the age of 12, when his twin brother
Alex began learning the drums. By the time
Cline reached his twenties, he was heavily involved in L.A.'s improvisational community and, in 1978, appeared on his first recording, Openhearted, by multi-instrumentalist
Vinny Golia. He went on to appear on over 70 releases, lead several of his own groups -- including
the Nels Cline Trio and the sextet that followed,
Destroy All Nels Cline -- and tour internationally with a variety of bands. As a composer,
Cline has scored films in addition to writing much of his own material. He has also produced albums for himself,
G.E. Stinson, and
Jeff Gauthier, among others.
Bassist
Eric Von Essen and
Cline met up in the late '70s and began working together, recording an album of duets called Elegies that was released in 1980 on the Nine Winds label.
Von Essen got involved in an orchestra with violinist
Gauthier, and it wasn't long before the three formed a group of their own.
Alex Cline sat in on their first concert and eventually joined the three permanently, resulting in the group
Quartet Music, which remained together throughout the '80s. In addition to his work in
Quartet Music during this decade,
Cline worked with Liberation Music Orchestra West Coast, was a member of a rock band called Bloc, worked with
Julius Hemphill as well as
Charlie Haden, and released his first album as leader,
Angelica, which included members of
Quartet Music, saxophonist
Tim Berne, and more.
The first half of the '90s found his new
Nels Cline Trio hosting a weekly improv series for four years and recording as many albums. During the '90s,
Cline also worked with
Thurston Moore (of
Sonic Youth),
Stephen Perkins (
Jane's Addiction),
Mike Watt (
Minutemen), and
the Geraldine Fibbers. A duo recording by
Cline and percussionist
Gregg Bendian covering
John Coltrane's
Interstellar Space was released by the Atavistic label in 1999. That same year, the California Music Awards named
Cline Outstanding Jazz Artist. The next year, he released
Inkling on Cryptogramophone, beginning a collaborative relationship with
Andrea Parkins that would continue for the next several years.
Destroy All Nels Cline was next, followed by the formation of
the Nels Cline Singers, who released their first album,
Instrumentals, in 2002.
In 2004,
Cline was asked to join
Wilco and has toured and appeared on all subsequent albums by them. He still had time for other projects, however: there have been several one-off collaborations during the ensuing years and two albums by the trio of
Cline,
Andrea Parkins, and
Tom Rainey. In 2004,
the Nels Cline Singers released
Giant Pin, which
Cline followed with an album of
Andrew Hill compositions in 2006, the sublime
New Monastery. Cryptogramophone subsequently issued two more releases by
the Nels Cline Singers,
Draw Breath in the summer of 2007 and the two-CD package
Initiate in 2010. Later in the year,
Cline released
Dirty Baby, a double-disc collaborative project with poet and producer
David Breskin.
Breskin selected 66 period images by the artist Ed Ruscha and evenly split them into two groups, wherein he commissioned the guitarist to compose one long work and one short work to accompany the images, without further instruction.
Cline recorded these with a large group of musicians including
Jon Brion,
Scott Amendola, brother
Alex Cline, and
Devin Hoff. There is also a lushly illustrated book version with larger reproductions of these works with 66 written pieces by
Breskin. Add this project to all the work
Cline has done as a sideman since the turn of the century, and you've got one extremely busy, prolific, and versatile guitarist. In April of 2014, he appeared as a guest on
Joan Osborne's
Love and Hate album, and as a full collaborator with
Medeski, Martin & Wood on
Woodstock Sessions 2. In 2014,
Macroscope, with the
Nels Cline Singers, and
Room, a duet offering with classical guitarist
Julian Lage, appeared on Detroit's Mack Avenue Records.
After recording
Star Wars with
Wilco and a tour,
Cline signed to Blue Note. His debut for the label was the double-length
Lovers. Realizing a long-held dream, the set was inspired by
Bill Evans,
Jim Hall,
Gil Evans, and
Henry Mancini.
Cline created an ambitious, self-proclaimed "mood music" project with a 23-member ensemble conducted and arranged by
Michael Leonhart. It was produced by
David Breskin and recorded and mixed by
Ron Saint Germain.
Lovers contained jazz and Great American Songbook standards alongside originals and covers of songs by
Annette Peacock,
Gabor Szabo,
Sonic Youth,
Jimmy Giuffre, and
Arto Lindsay. The single/video "Beautiful Love" was issued in early June of 2016, premiered live at the Newport Jazz Festival in July, and released in August.
Cline's recording experience with
Lage on
Room proved indelible. The pair often speculated on what an album would sound like if they chose a rhythm section. To that end,
Cline asked bassist
Scott Colley and drummer
Tom Rainey (who had played hundreds of shows together as a running rhythm section in the '90s) to accompany them at a residency at New York venue The Stone in 2016. At that time,
Colley and
Lage were playing in
Gary Burton's group and the bassist eventually joined the guitarist's trio.
Cline had played with everybody before. The live gig went so well it laid the foundation for the recording sessions that resulted in
Currents, Constellations,
Cline's second Blue Note album, with the intrepid quartet calling itself the
Nels Cline 4. He wrote seven of the record's eight compositions; the lone cover was
Carla Bley's "Temporarily," a rarity closely associated with the
Jimmy Giuffre Three. According to
Cline, the point wasn't to feature "sovereign" fewer guitar solos, but to facilitate an ensemble sound, whether marked by heated collective improvisation or a more delicate and precise approach on the contemplative pieces. The funky preview single, "Imperfect 10," was released in March along with a promotional "in-studio" video.
Currents, Constellations was released in mid-April a few days before the band -- with bassist
Jorge Roeder sitting in for a previously committed
Colley -- undertook a European tour.
In January of 2020,
Cline, bassist
William Parker, and keyboardist
Thollem McDonas, issued Gowanus Sessions II for ESP-Disk. During the spring,
Cline and pianist/organist/synthesist
Jamie Saft aided drummer/composer
Bobby Previte in the RareNoise trio outing
Music from the Early 21st Century. In October, Blue Note Records issued the single "Beam/Spiral" preceding the release of Share the Wealth,
Cline's third label offering, this time by an expanded
Nels Cline Singers. Curiously, the lineup he assembled -- saxophonist
Skerik, percussionist
Cyro Baptista, keyboardist
Brian Marsella, bassist
Trevor Dunn, and drummer
Amendola, had yet to play a gig together when they entered Brooklyn studio The Bunker.
Cline and co-producer
Eli Crews recorded the band over two days, playing long, spontaneous jams.
Cline originally wanted to edit the sprawling proceedings heavily, in order to create a cut-and-paste, collaged, psychedelic record. Upon listening closely to the uninterrupted jams, however, he changed his mind and decided to release them unedited. The double-length Share the Wealth was released in November. ~ Sean Westergaard & Thom Jurek