Although they became one of the most enduring bands in the alternative country-rock catalog,
Old 97's drew inspiration from a broad range of genres, including the twangy stomp of cowpunk and the melodies of power pop. Formed in 1993 by frontman
Rhett Miller and bassist
Murry Hammond, the group spent the bulk of the decade posed on the brink of mainstream success, issuing albums that often drew warm reviews but never yielded a substantial hit.
Old 97's tightened their sound as the '90s drew to a close, retaining their bar-band vigor while introducing a stronger pop/rock sound on albums like
Too Far to Care and
Satellite Rides.
Miller also mounted a solo career in the early 2000s, but the band remained together nonetheless, continuing to release material with their original lineup intact into the following decade.
Rhett Miller and
Murry Hammond first partnered up in 1989, when
Miller enlisted the latter's help in producing his debut solo album,
Mythologies. Although six years younger than
Hammond,
Miller proved to be a dedicated musician as he canvassed the Dallas club circuit, playing a blend of folk and British-styled pop to local audiences. He also displayed a knack for storytelling, having previously earned a creative writing scholarship to Sarah Lawrence College. One year after
Mythologies' release,
Miller and
Hammond teamed up once again, this time as part of the short-lived Sleepy Heroes.
Although the Sleepy Heroes disbanded after issuing one album, the group's mix of pop and Texas-styled twang helped lay the foundation for
Old 97's. Continuing to build upon that sound,
Miller and
Hammond linked up with lead guitarist
Ken Bethea and recorded a demo tape at the Cedar Creek studio in Austin. Drummer
Philip Peeples climbed on board shortly thereafter, and
Hammond's childhood obsession with trains inspired the band's new name, which paid homage to the country ballad "Wreck of the Old 97." With their lineup intact,
Old 97's released the debut album
Hitchhike to Rhome in 1994. It garnered positive reviews and began to build the group's alt-country fan base, which they consolidated on the album's follow-up,
Wreck Your Life. Issued in 1995 by the newly formed Bloodshot Records -- a label that would also launch the alt-country careers of
Neko Case and
Ryan Adams --
Wreck Your Life presented
Old 97's as a sharp, eclectic country-rock outfit with a pinup-worthy frontman. Such positive attention led to a major-label deal with Elektra Records, which hoped to translate the band's underground buzz into mainstream success.
Old 97's made their Elektra debut in 1997 with
Too Far to Care, a muscular album that balanced the band's Texas traditionalism and pop leanings. Many publications placed the group among the leaders of the alt-country movement, and
Old 97's toured extensively in support, joining the Lollapalooza tour that summer and playing alongside
Whiskeytown for a series of shows sponsored by No Depression magazine. Arriving two years later, 1999's
Fight Songs offered another polished, pop-friendly set of songs, allowing the band to sell out 1,500-seat venues during their return to the road.
By this time,
Miller had moved to Los Angeles and shed the thick, '50s-style glasses that had become a major part of his image. He and
Hammond also began performing in an informal side project dubbed the Ranchero Brothers, although a proposed album never materialized. Instead, the musicians returned their focus to
Old 97's, releasing another pop-influenced record with 2001's
Satellite Rides.
Miller took a temporary leave after its release to work on a solo power pop record,
The Instigator, which was released in late 2002. A period of relative inactivity followed, as the bandmembers found themselves in different cities, with several of them starting families.
The hiatus ended in 2004 with the release of
Drag It Up, whose subsequent tour featured prominently on the double-disc live album
Alive & Wired. Afterward,
Miller returned to his solo career with 2006's
The Believer, which found the frontman experimenting with strings and orchestral arrangements.
Old 97's returned to the studio once again in 2008, though, this time holing up in their native Dallas to help channel the energy of their earlier records. The move worked, and the resulting album,
Blame It on Gravity, delivered some of the band's strongest songs in years. While touring the country in support,
Murry Hammond launched his own solo career, packaging a wealth of old-timey gospel ballads and locomotive imagery onto the album I Don't Know Where I'm Going But I'm on My Way.
Miller also found time to release a solo album, 2009's self-titled
Rhett Miller, which appeared one year before the ninth
Old 97's record, The Grand Theatre, Vol. 1. Originally intended as a double album, The Grand Theatre was followed in mid-2011 by a companion record, The Grand Theatre, Vol. 2.
In 2012,
Old 97's released an archival project via Omnivore Records, an expanded and remastered reissue of
Too Far to Care that included a bonus disc of demos recorded before the project went into the studio. (The demos also received a stand-alone release on vinyl as
They Made a Monster: The Too Far to Care Demos.) That same year, Omnivore released a limited-edition EP for Record Store Day that featured two songs the group recorded in 1996 in collaboration with
Waylon Jennings; the EP was reissued in 2013 simply as Old 97's & Waylon Jennings. In 2014, the band released their first album for ATO Records, a fiery effort titled
Most Messed Up, and continued their series of back-catalog projects with Omnivore by issuing a remixed, remastered, and expanded edition of their debut LP,
Hitchhike to Rhome.
In the last weeks of 2016,
Old 97's announced the upcoming release of a new album,
Graveyard Whistling, which was issued by ATO in February 2017. The record included guest vocals by Brandi Carlisle on the song "Good with God," and songwriting contributions from
Nicole Atkins and
Butch Walker. November 2018 saw the release of a
Rhett Miller solo set,
The Messenger, as well as the first-ever Christmas album from
Old 97's,
Love the Holidays; both were issued by ATO Records. After the group's members struggled with major life events --
Philip Peeples spent weeks in the hospital after fracturing his skull,
Ken Bethea had surgery on his spine after losing control of motor functions in his hand, and
Rhett Miller gave up alcohol -- they celebrated their longevity as a band and the privilege of still playing their music on their 12th album, 2020's suitably titled
Twelfth. ~ Andrew Leahey