Patricia Bardon

Messiah, HWV 56: Part 1, 8. Recitative (alto) "Behold, a virgin shall conceive" - 9. Air (alto) & Chorus "O thou that tellest good tidings to Zion, arise"

Freiburger Barockorchester, Choir Of Clare College, Cambridge, René Jacobs, Patricia Bardon

Messiah, HWV 56: Part 1, 19. Recitative (alto) "Then shall the eyes of the blind be opened" - 20. Air (alto & countertenor) "He shall feed His flock"

Freiburger Barockorchester, René Jacobs, Lawrence Zazzo, Patricia Bardon

Messiah, HWV 56: Part 2, 23. Air (alto) "He was despised and rejected of men"

Freiburger Barockorchester, René Jacobs, Patricia Bardon

Messiah, HWV 56: Part 3, 49. Recitative (alto) "Then shall be brought to pass the saying that is written" - 50. Duet (alto & tenor) "O Death, where is thy sting?"

Freiburger Barockorchester, René Jacobs, Patricia Bardon, Kobie Van Rensburg

I. Allegro Ma Non Troppo, Un Poco Maestoso

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

II. Scherzo. Molto Vivace - Presto

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

III. Adagio Molto Vivace E Cantabile

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

IV. Finale: Chorus "an Die Freude" ("Ode to Joy")

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Benjamin Zander Discusses Beethoven Symphony No. 9: Introduction - Tempo: A Personal Preference

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - Beethoven and Tempo: The Miracle of the Metronome

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - The Case of the Ninth: History of Past Performances

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - The Purpose of This Recording: A Glimpse Through Different Glasses

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - Least Controversial Points: 2nd, 3rd, and 4th Movements

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - More Controversial Points: 1st Movement

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - The Adagio: What, Exactly, Constitutes a "Slow" Tempo

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - Most Controversial Points: The 4th Movement

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - Extremely Controversial Points & Explanations (1): March and Double Fugue

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans

Discussion - Extremely Controversial Points and Explanations (2): Scherzo, Trio, and Prestissimo

Benjamin Zander, Philharmonia Orchestra, Philharmonia Chorus, Stefan Bevier, Derek Welton, Robert Murray, Patricia Bardon, Rebecca Evans