Red Garland mixed together the usual influences of his generation (
Nat Cole,
Bud Powell, and
Ahmad Jamal) into his own distinctive approach;
Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as
Charlie Parker,
Coleman Hawkins,
Lester Young, and
Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic
Miles Davis Quintet (1955-1958), heading a rhythm section that also included
Paul Chambers and
Philly Joe Jones. After leaving
Miles,
Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again. ~ Scott Yanow