A member of both
Gong and
Hawkwind,
Tim Blake's slow-moving keyboard style has also featured prominently in his own work. His Crystal Machine project of the mid- to late '70s was among the first tour acts to feature major laser light shows. Often compared to
Tangerine Dream,
Blake has continued to record into the 2000s, with his latest work, Tide of the Century, continuing to build on his experimental keyboard style.
Tim Blake was born on February 6, 1952, in Hammersmith, West London. At drama school, he became interested in studying sound. He became involved with the experimental psychedelic group
Gong in 1971. At first he was supposed to be the group's sound man, but the job was taken from him. He then briefly served as keyboardist for the group, but his work did not please
Gong drummer Pip Pyle, and
Blake was let go. Far from discouraged,
Blake founded the Crystal Machine studio in the south of France. There, he made a demo cassette of his work on the EMS synthesizer. He then rejoined
Gong in 1972 as the band's keyboardist under the name Hi T. Moonweed. He remained with the band until they broke up in 1976. Meanwhile, with Patrice Warrener, he formed Crystal Machine, which toured behind stellar light shows throughout the late '70s.
Crystal Machine (1977) is an assortment of tracks from various live shows. 1978's
Blake's New Jerusalem was the keyboardist's first studio solo record.
After a collaboration with
Hawkwind's
Nik Turner,
Blake joined
Hawkwind in 1979. However, he was dropped unceremoniously by the group in 1980 and Blake would perform very little throughout the next decade. He returned with
Magick (1991), but outside of various reunion concerts with
Gong, remained quiet until 2000's Tide of the Century. ~ Geoff Orens