Tom Petty straddled the divide separating classic rock and new wave, revitalizing and reinvigorating the big jangle of
the Byrds and the garage rock roar of
the Rolling Stones with his earliest records with
the Heartbreakers in the late 1970s. Over the next decades,
Petty expanded and refined this blend, almost always with guitarist
Mike Campbell and keyboardist
Benmont Tench -- the musicians who had played with him since the early '70s, when they all were in the rambling country-rock outfit
Mudcrutch -- by his side. The consistency in personnel and
Petty's allegiance to the sounds of the '60s did mean his music veered toward classic rock, a perception that tended to obscure the variety within his body of work and how he seemed like a bit of a punk when he released his first album with
the Heartbreakers in 1976. The tough, lean sound of
Tom Petty & The Heartbreakers was in the same back-to-basics ballpark of
the Ramones, and its rawness was evident in its signature single "American Girl," a rock & roll standard that didn't come close to the charts in 1977.
Petty didn't land a big hit until he teamed up with producer
Jimmy Iovine in 1979 for
Damn the Torpedoes, a sleek, streamlined arena rock album that generated smashes in "Don't Do Me Like That" and "Refugee." From there,
Petty & the Heartbreakers built up a substantial catalog, one that was rooted in rock tradition but flexible enough to accommodate detours into MTV stardom, concept albums, and slick experimentalism, not to mention their leader's occasional solo foray.
Petty's solo albums -- the ornate
Jeff Lynne-produced
Full Moon Fever and the homey
Wildflowers, recorded with
Rick Rubin -- were two of his biggest records, but he remained a band guy at heart, sticking with
the Heartbreakers in the studio and on the road from the mid-'90s through the mid-2010s. The band celebrated their longevity with a 40th Anniversary Tour in 2017, at the end of which
Petty tragically died from an accidental drug overdose. His passing helped put in perspective how he was one of the greatest rockers and singer/songwriters of his time, amassing a body of work that managed to sound simultaneously timeless and fresh.
Born and raised in northern Florida,
Petty began playing music while he was still in high school. At the age of 17, he dropped out of school to join
Mudcrutch, which also featured guitarist
Mike Campbell and keyboardist
Benmont Tench. By 1970,
Mudcrutch had moved to Los Angeles with hopes of finding a record contract. The fledgling Shelter Records, founded by
Leon Russell and
Denny Cordell, offered the group a contract. However,
Mudcrutch splintered apart shortly after relocating to L.A.
Cordell was willing to record
Petty as a solo act, but the singer's reception to the idea was tentative. Over the next few years,
Petty drifted through bands, eventually hooking back up with
Campbell and
Tench in 1975. At the time, the duo were working with bassist
Ron Blair and drummer
Stan Lynch; soon,
Petty became involved with the band, which was then named
the Heartbreakers.
Petty was still under contract to Shelter, and the group assumed his deal, releasing
Tom Petty & the Heartbreakers in 1976.
Initially, the band's debut was ignored in the United States, but when the group supported it in England with a tour opening for
Nils Lofgren, the record began to take off. Within a few months, the band was headlining its own British tours and the album was in the U.K. Top 30. Prompted by the record's British success, Shelter pushed the album and the single "Breakdown" in the U.S., this time with success; "Breakdown" became a Top 40 hit and "American Girl" became an album-oriented radio staple.
You're Gonna Get It,
the Heartbreakers' second album, was released in 1978 and it became the group's first American Top 40 record.
Petty & the Heartbreakers were poised to break into the big time when they ran into severe record company problems. Shelter's parent company, ABC, was bought by
MCA, and
Petty attempted to renegotiate his contract with the label.
MCA was unwilling to meet most of his demands, and halfway through 1979, he filed for bankruptcy. Soon afterward, he settled into an agreement with
MCA, signing with their subsidiary Backstreet Records. Released late in 1979,
Damn the Torpedoes was his first release on Backstreet.
The album was
Petty's breakthrough release, earning uniformly excellent reviews, generating the Top Ten hit "Don't Do Me Like That" and the number 15 "Refugee," and spending seven weeks at number two on the U.S. charts; it would eventually sell over two million copies. Though he was at a peak of popularity,
Petty ran into record company trouble again when he and
the Heartbreakers prepared to release
Hard Promises, the 1981 follow-up to
Damn the Torpedoes.
MCA wanted to release the record at the list price of $9.98, which was a high price at the time.
Petty refused to comply to their wishes, threatening to withhold the album from the label and organizing a fan protest that forced the company to release the record at $8.98.
Hard Promises became a Top Ten hit, going platinum and spawning the hit single "The Waiting." Later that year,
Petty produced
Del Shannon's comeback album
Drop Down and Get Me and wrote "Stop Draggin' My Heart Around" as a duet for himself and
Stevie Nicks. Featured on her album
Bella Donna, which was recorded with
the Heartbreakers' support, "Stop Draggin' My Heart Around" became a number three hit.
Petty & the Heartbreakers returned late in 1982 with
Long After Dark, which became their third Top Ten album in a row. Following its release, bassist
Ron Blair left the band and was replaced by
Howie Epstein, who previously played with
John Hiatt.
Petty & the Heartbreakers spent nearly three years making
Southern Accents, the follow-up to
Long After Dark. Hiring
Eurythmics'
Dave Stewart as a producer, the band attempted to branch out musically, reaching into new territories like soul, psychedelia, and new wave. However, the recording wasn't easy -- at its worst,
Petty punched a studio wall and broke his left hand, reportedly in frustration over the mixing.
Southern Accents was finally released in the spring of 1985, preceded by the neo-psychedelic single "Don't Come Around Here No More," which featured a popular, pseudo-Alice in Wonderland video.
Southern Accents was another hit record, peaking at number seven and going platinum. Following its release,
Petty & the Heartbreakers spent 1986 on tour as
Bob Dylan's backing band.
Dylan contributed to the lead single "Jammin' Me," from
the Heartbreakers' next album,
Let Me Up (I've Had Enough), which was released to mixed reviews in the spring of 1987. Just after the record's release,
Petty's house and most of his belongings were destroyed by fire; he, his wife, and two daughters survived unscathed.
In 1988,
Petty became a member of the supergroup
the Traveling Wilburys, which also featured
Dylan,
George Harrison,
Roy Orbison, and
Jeff Lynne.
The Wilburys released their first album at the end of 1988 and its sound became the blueprint for
Petty's first solo effort, 1989's
Full Moon Fever. Produced by
Lynne and featuring the support of most of
the Heartbreakers,
Full Moon Fever became
Petty's commercial pinnacle, reaching number three on the U.S. charts, going triple platinum, and generating the hit singles "I Won't Back Down," "Runnin' Down a Dream," and "Free Fallin'," which reached number seven. In 1990, he contributed to
the Traveling Wilburys' second album,
Vol. 3.
Petty officially reunited with
the Heartbreakers on
Into the Great Wide Open, which was also produced by
Jeff Lynne. Released in the spring of 1991,
Into the Great Wide Open sustained the momentum of
Full Moon Fever, earning strong reviews and going platinum.
Following the release of 1993's
Greatest Hits, which featured two new tracks produced by
Rick Rubin, including the Top 20 hit "Mary Jane's Last Dance,"
Petty left
MCA for Warner Bros.; upon signing, it was revealed that he'd negotiated a $20 million deal in 1989. Drummer
Stan Lynch left
the Heartbreakers in 1994, as
Petty was recording his second solo album with producer
Rubin and many members of
the Heartbreakers. Like
Full Moon Fever before it, 1994's
Wildflowers was greeted by enthusiastic reviews and sales, tying his previous solo album for his biggest-selling studio album. In addition to going triple platinum and peaking at number eight, the album spawned the hit singles "You Don't Know How It Feels," "You Wreck Me," and "It's Good to Be King."
Petty & the Heartbreakers reunited in 1996 to record the soundtrack for the Edward Burns film
She's the One. The resulting soundtrack album was a moderate hit, peaking at number 15 on the U.S. charts and going gold.
Echo followed three years later, becoming the first
Heartbreakers record to make the Top Ten in almost 15 years.
The Last DJ, a scathing attack on the corporate greed inherent in the music business, was released in 2002, followed in 2006 by a solo album,
Highway Companion; both albums reached the Top Ten, and
Highway Companion went gold in the U.S. After this,
Petty reunited his original band
Mudcrutch for a 2008 album and tour.
Mojo, credited to
Tom Petty & the Heartbreakers, appeared from
Reprise in 2010. The band toured fairly regularly over the next four years, then returned in the summer of 2014 with
Hypnotic Eye, the first number one album in their career. Two years later,
Petty reconvened
Mudcrutch for their second album, appropriately titled
2. On October 2, 2017,
Petty was found at his home in cardiac arrest, and he died at a hospital in Santa Monica later that day. Nearly a year later, his family and band released the box set
An American Treasure as a tribute to the departed rocker. A double-disc hits collection,
The Best of Everything, followed in March 2019. Prior to his death,
Petty began work on an expanded reissue of 1994's
Wildflowers, restoring it to its original double-album length. His family and collaborators finished the project posthumously, releasing it as the box set Wildflowers....And All the Rest in October 2020. The same team produced a revamped version of
Songs and Music from "She's the One" that removed the
Wildflowers outtakes and added previously unreleased songs. It was retitled
Angel Dream and released in July of 2021. ~ Stephen Thomas Erlewine