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2019 Outhere Music France
Title
Pop.
Time
Cantata "Ich habe genung", BWV 82 - Johann Sebastian Bach
I. [Aria] "Ich habe genung" View on Youtube
07:00
II. Recit. "Ich habe genung" View on Youtube
01:11
III. Aria "Schlummert ein, ihr matten Augen" View on Youtube
10:10
Cantata "Ich habe genung", BWV 82: IV. Recit. "Mein Gott! wenn kömmt das schöne - Johann Sebastian Bach
nun!" View on Youtube
00:50
V. Aria "Ich freue mich auf meinen Tod" View on Youtube
03:29
Aria "Gott ist Gerecht" (From Cantata "O, Ewigkeit Du Donnerwort", BWV 20) View on Youtube
04:06
Cantata "Die Friede sei mit Dir", BWV 158 - Johann Sebastian Bach
I. Recit. "Die Friede sei mit dir" View on Youtube
01:52
II. Aria con Corale "Welt, ade, ich bin dein müde" View on Youtube
05:41
III. Recit. "Nun, Herr, regiere meinen Sinn" View on Youtube
01:18
IV. Choral "Hier ist das rechte Osterlamm" View on Youtube
01:07
From Cantata "Ach wie flüchtig, ach wie nichtig", BWV 26 - Johann Sebastian Bach
I. Aria "An irdische Schätze das Herze zu hängen" View on Youtube
03:43
Cantata "Ich will den Kreutztab gerne tragen", BWV 56 - Johann Sebastian Bach
II. Aria "Ich will den Kreuztab gerne tragen" View on Youtube
06:45
III. Recit. "Mein Wandel auf der Welt" View on Youtube
01:53
IV. Aria "Endlich, endlich wird mein Joch" View on Youtube
05:51
V. Recit. "Ich stehe fertig und bereit" View on Youtube
01:30
V. Choral "Komm, o Tod, du Schlafes Bruder" View on Youtube
01:23
Aria "Warum willst Du so zornig sein" (From Cantata "Nimm von uns, Herr, du treuer Gott", BWV 101) View on Youtube
03:54
After releasing all the Brandenburg Concertos and Orchestral Suites, Zefiro joins forces with authoritative singer Dominik Woerner to investigate the intriguing relationship between bass voice and reed instruments in Bach’s sacred cantatas. “Johann Sebastian Bach’s son Carl Philipp Emanuel tells us of his father’s talent as a singer: ‘He had a good penetrating voice of wide range and good singing style.’ It is therefore not surprising that the three church cantatas for solo bass are among his most exquisite and personal vocal works. Singing voice and instruments enter into a special relationship in these pieces. The dense yet sensitive polyphony is filled with a warmth and tenderness that seems to bring us closer to Bach, who is otherwise so ‘hermetically closed’. The ‘I’ voice in the poems of cantatas BWV 56 and 82 becomes the composer’s voice. Bach’s solo cantatas are precious gems whose subtle beauties go straight to the listener’s heart.” © Peter Wollny/Arcana
by Zefiro, Alfredo Bernardini, Dominik Wörner
Cantata "Ich habe genung", BWV 82: I. [Aria] "Ich habe genung"
Cantata "Ich habe genung", BWV 82: II. Recit. "Ich habe genung"
Cantata "Ich habe genung", BWV 82: III. Aria "Schlummert ein, ihr matten Augen"
Cantata "Ich habe genung", BWV 82: IV. Recit. "Mein Gott! wenn kömmt das schöne: nun!"
Cantata "Ich habe genung", BWV 82: V. Aria "Ich freue mich auf meinen Tod"
Aria "Gott ist Gerecht" (From Cantata "O, Ewigkeit Du Donnerwort", BWV 20)
Cantata "Die Friede sei mit Dir", BWV 158: I. Recit. "Die Friede sei mit dir"
Cantata "Die Friede sei mit Dir", BWV 158: II. Aria con Corale "Welt, ade, ich bin dein müde"
Cantata "Die Friede sei mit Dir", BWV 158: III. Recit. "Nun, Herr, regiere meinen Sinn"
Cantata "Die Friede sei mit Dir", BWV 158: IV. Choral "Hier ist das rechte Osterlamm"
From Cantata "Ach wie flüchtig, ach wie nichtig", BWV 26: I. Aria "An irdische Schätze das Herze zu hängen"
Cantata "Ich will den Kreutztab gerne tragen", BWV 56: II. Aria "Ich will den Kreuztab gerne tragen"
Cantata "Ich will den Kreutztab gerne tragen", BWV 56: III. Recit. "Mein Wandel auf der Welt"
Cantata "Ich will den Kreutztab gerne tragen", BWV 56: IV. Aria "Endlich, endlich wird mein Joch"
Cantata "Ich will den Kreutztab gerne tragen", BWV 56: V. Recit. "Ich stehe fertig und bereit"
Cantata "Ich will den Kreutztab gerne tragen", BWV 56: V. Choral "Komm, o Tod, du Schlafes Bruder"
Aria "Warum willst Du so zornig sein" (From Cantata "Nimm von uns, Herr, du treuer Gott", BWV 101)
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