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(C) 2018 Christophorus
Title
Pop.
Time
Cello Suite No. 5 in C Minor, BWV 1011 (Arr. T. Hoppstock for Guitar) - Johann Sebastian Bach
I. Prélude
05:39
II. Allemande
02:53
III. Courante
01:28
IV. Sarabande
01:31
V. Gavottes I & II
02:59
VI. Gigue
01:04
Cello Suite No. 2 in D Minor, BWV 1008 (Arr. T. Hoppstock for Guitar) - Johann Sebastian Bach
03:02
02:46
01:27
02:47
V. Menuets I & II
02:04
01:54
Cello Suite No. 1 in G Major, BWV 1007 (Arr. T. Hoppstock for Guitar) - Johann Sebastian Bach
02:40
03:30
01:58
01:51
02:26
01:17
Fantasia No. 35 (arr. T. Hoppstock for guitar) - Francesco Da Milano
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00:48
Christ lag in Todesbanden, BWV 4 (arr. T. Hoppstock for guitar) - Johann Sebastian Bach
00:52
Herzlich tut mich verlangen, BWV 727 (1st version) (arr. T. Hoppstock for guitar) - Johann Sebastian Bach
- Herzlich tut mich verlangen, BWV 727 (1st Version) [Arr. T. Hoppstock for Guitar]
00:37
Herzlich tut mich verlangen, BWV 727 (2nd version) (arr. T. Hoppstock for guitar) - Johann Sebastian Bach
- Herzlich tut mich verlangen, BWV 727 (2nd Version) [Arr. T. Hoppstock for Guitar]
00:44
Fantasia No. 38 (arr. T. Hoppstock for guitar) - Francesco Da Milano
01:24
O Traurigkeit, BWV 404 (arr. T. Hoppstock for guitar) - Johann Sebastian Bach
Fantasia No. 28 (arr. T. Hoppstock for guitar) - Tilman Hoppstock
00:56
St. Matthew Passion, BWV 245 (Excerpts Arr. T. Hoppstock for Guitar) - Johann Sebastian Bach
No. 11, Wer hat dich so geschlagen
00:42
No. 14, Petrus, der nicht denkt zurück
01:03
Orchestral Suite No. 3 in D Major, BWV 1068 - Johann Sebastian Bach
II. Air ("On a G String") [Arr. T. Hoppstock for Guitar]
03:49
Tilman Hoppstock is one of Germany’s most famous guitar players and the work of Bach stands in his focus for a long time: His research of over 30 years culminated in the publication of two book titles and his musicological edition is considered today a standard work by nearly all guitarists who occupy themselves with Bach. In 2013 he earned the doctor’s degree for his research on Bach. The Six Suites for solo cello are nowadays performed on a wide range of instruments and Tilman Hoppstock has adapted the Suites Nos. 1, 2 and 5 for his instrument the guitar. His large knowledge of the contrapunctal technique of Bach combined with his stupendous virtuosity on the guitar resulted in a recording of great musicality and sensibility. © Christophorus
by Tilman Hoppstock
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