Japanese composer Shiro Fukai belongs to the first generation of Japanese composers to write music with Western ensembles primarily in mind. Like his near contemporary
Akira Ifukube, Fukai also composed for films, perhaps most significantly Kenji Mizoguchi's The 47 Ronin. Fukai's early death at age 52 deprives us of witnessing how he might have adapted to the sweeping changes that occurred in Japanese concert and film music in the 1960s, but as it stands Fukai is a considerably more conventional composer than
Ifukube. An acolyte of Meiro Sugawara, Fukai followed French models in his music very closely, not only evoking the influence of Impressionism but that of neo-Classicism as well. Naxos' Shiro Fukai: Songs of Java is an entry in its Japanese Classics series that limits itself to three large orchestral works that date from just before and during the Second World War. None of these pieces has appeared on recordings before.
The Quatre mouvements parodiques dates from 1936 and purports to be a suite of parodies of four Western composers, namely Falla,
Stravinsky,
Ravel, and
Roussel. This is an interesting idea that leads to some colorful and intriguing music, although with one major flaw: all four of Fukai's parodies sound more like
Prokofiev than any of the composers named within this suite. The Création Ballet isn't anything like
Milhaud's famous La création du monde as some might infer from the title. This work was written to celebrate the 2,600th year of Imperial Japanese rule in 1940, governance whose fortunes were soon to change very drastically! While it has some rhythmic dynamism, it is also shot through with a strain of travelogue music that really weighs it down; Création Ballet is the weakest of the three works here. Songs of Java, the title work, dates from 1942; Fukai grafts Indonesian motives onto a structure similar to that of
Ravel's Boléro. It is pleasingly modal sounding and well orchestrated, but it subjects Javanese music to a gradual build of a kind completely alien to the tradition.
Coming after Naxos' magnificent triumph in its disc of Mayuzumi with
Takuo Yuasa and the
New Zealand Symphony, Shiro Fukai: Songs of Java, featuring the
Russian Philharmonic under
Dmitry Yablonsky, is a real letdown. The Quatre mouvements parodiques are best served here -- on the rest of the disc the orchestra sounds tired and uninterested, and it misses out in punching up the intended "big" climax in Songs of Java.