Name: Great Operatic Arias (Sung in English), Vol. 6 - John Tomlinson by John Tomlinson
Brand: John Tomlinson
SKU: 095115304426
Price: 9.9 USD
Availability: OnlineOnly
Rating: 3 (119 reviews)

ALBUM

1. Acis and Galatea, HWV 49, Act II: Recitative. I rage, I rage, I rage, I melt, I burn! - Aria. O ruddier Than the cherry

by John Tomlinson

Primary Artist: John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: George Frideric Handel; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

2. Die Entführung aus dem Serail, K. 384 (Sung in English), Act I: When a maiden takes your fancy [Wer ein Liebchen hat gefunden] [Abduction from the Seraglio]

by Christoph Friedrich Bretzner

Basse: John Tomlinson; Performer
Primary Artist: Barry Banks
Helen Williams
John Tomlinson
Philharmonia Orchestra; Main Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Wolfgang Amadeus Mozart; Composer
Lyricist: Christoph Friedrich Bretzner; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

3. Die Entführung aus dem Serail, K. 384 (Sung in English), Act II: Duet. I'm going, but take my advice [Ich gehe, doche rate ich dir] [Abduction from the Seraglio]

by Christoph Friedrich Bretzner

Primary Artist: Barry Banks
Helen Williams
John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Soprano: Helen Williams; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Wolfgang Amadeus Mozart; Composer
Lyricist: Christoph Friedrich Bretzner; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

4. Die Entführung aus dem Serail, K. 384 (Sung in English), Act II: Duet. Vivat Bacchus! Long live Bacchus! [Vivat Bacchus! Bacchus lebe!] [Abduction from the Seraglio]

by Christoph Friedrich Bretzner

Primary Artist: Barry Banks
Helen Williams
John Tomlinson
Philharmonia Orchestra; Main Performer
Tenor: Barry Banks; Performer
Basse: John Tomlinson; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Wolfgang Amadeus Mozart; Composer
Lyricist: Christoph Friedrich Bretzner; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

5. Samson, HWV 57, Act II: Aria. Honour and arms scorn such a foe

by John Tomlinson

Primary Artist: John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: George Frideric Handel; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

6. Simon Boccanegra, Prologue: Scene. A last farewell I bid you (a te l'estremo addio) - My soul Is torn with suffering [Il lacerato spirito]

by Francesco Maria Piave

Primary Artist: Geoffrey Mitchell Choir
John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Choir/chorus: Geoffrey Mitchell Choir; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Giuseppe Verdi; Composer
Lyricist: Francesco Maria Piave; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

7. Pesnya Mefistofelya v pogrebke Auerbakha (Mephistopheles's Song in Auerbach's Cellar), "Song of the Flea": Mephistopheles's Song in Auerbach's Cellar [Pesnya Mefistofelya v pogrebke Auerbakha]

by Johann Wolfgang Von Goethe

Basse: John Tomlinson; Performer
Primary Artist: John Tomlinson
Philharmonia Orchestra; Main Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Modest Mussorgsky; Composer
Lyricist: Johann Wolfgang Von Goethe; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

8. Prince Igor (Knyaz Igor), Act II: Aria. No rest, no slumber [Ni sna, ni otdikha]

by Alexander Borodin

Primary Artist: Geoffrey Mitchell Choir
John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Choir/chorus: Geoffrey Mitchell Choir; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Alexander Borodin; Composer
Lyricist: Alexander Borodin; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

9. Prince Igor (Knyaz Igor), Act I: The Prince has drunk his fill? … The sober life of boredom [Greshno tait]

by Alexander Borodin

Primary Artist: Geoffrey Mitchell Choir
John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Choir/chorus: Geoffrey Mitchell Choir; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Alexander Borodin; Composer
Lyricist: Alexander Borodin; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

10. Prince Igor (Knyaz Igor), Act II: Aria. Igor, listen [Zdorov li, Knaz?]

by Alexander Borodin

Primary Artist: Geoffrey Mitchell Choir
John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Choir/chorus: Geoffrey Mitchell Choir; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Alexander Borodin; Composer
Lyricist: Alexander Borodin; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

11. Rusalka, Op. 4, Rusalka, Act I: Ah! You young girls Are all the same (Okh, toto vse vi devky molodiye)

by Aleksandr Sergeyevich Dargomyzhsky

Basse: John Tomlinson; Performer
Primary Artist: John Tomlinson
Philharmonia Orchestra; Main Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Aleksandr Sergeyevich Dargomyzhsky
Alexander Dargomyzhsky; Composer
Lyricist: Aleksandr Sergeyevich Dargomyzhsky; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

12. Ernani, Ernani, Act I: Scene. Can I believe It? (Che mai vegg'io!) - Cavatina. Vain illusion! When I believed her [Infelice! … E tuo credivi] [Sung in English]

by John Tomlinson

Basse: John Tomlinson; Performer
Primary Artist: Geoffrey Mitchell Choir
John Tomlinson
Philharmonia Orchestra; Main Performer
Choir/chorus: Geoffrey Mitchell Choir; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Giuseppe Verdi; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

13. In a Persian Garden: Myself when young

by John Tomlinson

Primary Artist: John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Liza Lehmann; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

14. The Mikado, Act II: A more humane Mikado … My object all sublime

by W.s. Gilbert

Primary Artist: Geoffrey Mitchell Choir
John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Choir/chorus: Geoffrey Mitchell Choir; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Lyricist: W.s. Gilbert; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

15. Genevieve de Brabant: Genevieve de Brabant: Duet. We're public gaurdians bold and wary (Sung in English)

by Etienne Trefeu

Primary Artist: Andrew Shore
John Tomlinson
Philharmonia Orchestra; Main Performer
Baryton: Andrew Shore; Performer
Basse: John Tomlinson; Performer
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Jacques Offenbach; Composer
Lyricist: Etienne Trefeu
Louis-adolphe Jaime; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

16. The Pirates of Penzance, Act II: When a felon's not engaged in his employment

by W.s. Gilbert

Primary Artist: Geoffrey Mitchell Choir
John Tomlinson
Philharmonia Orchestra; Main Performer
Basse: John Tomlinson; Performer
Choir/chorus: Geoffrey Mitchell Choir; Ensemble
Orchestra: Philharmonia Orchestra; Ensemble
Composer: Arthur Sullivan; Composer
Lyricist: W.s. Gilbert; Composer
Conductor: David Parry; Conductor
Direction: David Parry; Production

17. Boris Godunov, Boris Godunov, Prologue Scene 2: Coronation Scene. My soul Is sad (Skorbit dusha!) [Sung in English]

by Modest Mussorgsky

Basse: John Tomlinson; Performer
Primary Artist: English Northern Philharmonia
John Tomlinson
Leeds Parish Church Choristers
Opera North Chorus; Main Performer
Choir/chorus: Leeds Parish Church Choristers
Opera North Chorus; Ensemble
Orchestra: English Northern Philharmonia; Ensemble
Composer: Modest Mussorgsky; Composer
Lyricist: Modest Mussorgsky; Composer
Conductor: Paul Daniel; Conductor
Direction: David Parry; Production

Technical Specifications

Volume

1 volume only

Tracks

17 tracks available

Type

ALBUM

Format

Digital Media

Duration

1 hour, 16 minutes and 49 seconds

Explicit

None

Coverart

Available and up to 1678x1678 px

Booklet

Available in PDF format

Max Quality

CD Quality (Lossless)

16bit / 44.1 kHz

Stereo

Audio Extension

Lossless: FLAC, M4A, WAV, WV, AIFF

Lossy: AAC, MP3, M4A, MP4, OGA, OGG, OPUS, WMA

Archive Format

Available in these formats: ZIP, TAR, RAR

Lyrics

No lyrics found

Synchronized Lyrics

No synced lyrics found

Genres

Opera Extracts, Opera, Classical

Label

Chandos

Music Distribution Service

Naxos of America Inc.

Country

United Kingdom

Language

No language found

Popularity

Release Date

Dec 31, 1999

Track Preview

Available

Delivery Charge

Free

Delivery Method

Digital download link via Email or Personal Dashboard on this site

UPC

95115304426

Shopping cart

Notification

Great Operatic Arias (Sung in English), Vol. 6 - John Tomlinson

1. Acis and Galatea, HWV 49, Act II: Recitative. I rage, I rage, I rage, I melt, I burn! - Aria. O ruddier Than the cherry

2. Die Entführung aus dem Serail, K. 384 (Sung in English), Act I: When a maiden takes your fancy [Wer ein Liebchen hat gefunden] [Abduction from the Seraglio]

3. Die Entführung aus dem Serail, K. 384 (Sung in English), Act II: Duet. I'm going, but take my advice [Ich gehe, doche rate ich dir] [Abduction from the Seraglio]

4. Die Entführung aus dem Serail, K. 384 (Sung in English), Act II: Duet. Vivat Bacchus! Long live Bacchus! [Vivat Bacchus! Bacchus lebe!] [Abduction from the Seraglio]

5. Samson, HWV 57, Act II: Aria. Honour and arms scorn such a foe

6. Simon Boccanegra, Prologue: Scene. A last farewell I bid you (a te l'estremo addio) - My soul Is torn with suffering [Il lacerato spirito]

7. Pesnya Mefistofelya v pogrebke Auerbakha (Mephistopheles's Song in Auerbach's Cellar), "Song of the Flea": Mephistopheles's Song in Auerbach's Cellar [Pesnya Mefistofelya v pogrebke Auerbakha]

8. Prince Igor (Knyaz Igor), Act II: Aria. No rest, no slumber [Ni sna, ni otdikha]

9. Prince Igor (Knyaz Igor), Act I: The Prince has drunk his fill? … The sober life of boredom [Greshno tait]

10. Prince Igor (Knyaz Igor), Act II: Aria. Igor, listen [Zdorov li, Knaz?]

11. Rusalka, Op. 4, Rusalka, Act I: Ah! You young girls Are all the same (Okh, toto vse vi devky molodiye)

12. Ernani, Ernani, Act I: Scene. Can I believe It? (Che mai vegg'io!) - Cavatina. Vain illusion! When I believed her [Infelice! … E tuo credivi] [Sung in English]

13. In a Persian Garden: Myself when young

14. The Mikado, Act II: A more humane Mikado … My object all sublime

15. Genevieve de Brabant: Genevieve de Brabant: Duet. We're public gaurdians bold and wary (Sung in English)

16. The Pirates of Penzance, Act II: When a felon's not engaged in his employment

17. Boris Godunov, Boris Godunov, Prologue Scene 2: Coronation Scene. My soul Is sad (Skorbit dusha!) [Sung in English]

Technical Specifications

Great Operatic Arias (Sung in English), Vol. 6 - John Tomlinson

Product information

Release options

1. Acis and Galatea, HWV 49, Act II: Recitative. I rage, I rage, I rage, I melt, I burn! - Aria. O ruddier Than the cherry

2. Die Entführung aus dem Serail, K. 384 (Sung in English), Act I: When a maiden takes your fancy [Wer ein Liebchen hat gefunden] [Abduction from the Seraglio]

3. Die Entführung aus dem Serail, K. 384 (Sung in English), Act II: Duet. I'm going, but take my advice [Ich gehe, doche rate ich dir] [Abduction from the Seraglio]

4. Die Entführung aus dem Serail, K. 384 (Sung in English), Act II: Duet. Vivat Bacchus! Long live Bacchus! [Vivat Bacchus! Bacchus lebe!] [Abduction from the Seraglio]

5. Samson, HWV 57, Act II: Aria. Honour and arms scorn such a foe

6. Simon Boccanegra, Prologue: Scene. A last farewell I bid you (a te l'estremo addio) - My soul Is torn with suffering [Il lacerato spirito]

7. Pesnya Mefistofelya v pogrebke Auerbakha (Mephistopheles's Song in Auerbach's Cellar), "Song of the Flea": Mephistopheles's Song in Auerbach's Cellar [Pesnya Mefistofelya v pogrebke Auerbakha]

8. Prince Igor (Knyaz Igor), Act II: Aria. No rest, no slumber [Ni sna, ni otdikha]

9. Prince Igor (Knyaz Igor), Act I: The Prince has drunk his fill? … The sober life of boredom [Greshno tait]

10. Prince Igor (Knyaz Igor), Act II: Aria. Igor, listen [Zdorov li, Knaz?]

11. Rusalka, Op. 4, Rusalka, Act I: Ah! You young girls Are all the same (Okh, toto vse vi devky molodiye)

12. Ernani, Ernani, Act I: Scene. Can I believe It? (Che mai vegg'io!) - Cavatina. Vain illusion! When I believed her [Infelice! … E tuo credivi] [Sung in English]

13. In a Persian Garden: Myself when young

14. The Mikado, Act II: A more humane Mikado … My object all sublime

15. Genevieve de Brabant: Genevieve de Brabant: Duet. We're public gaurdians bold and wary (Sung in English)

16. The Pirates of Penzance, Act II: When a felon's not engaged in his employment

17. Boris Godunov, Boris Godunov, Prologue Scene 2: Coronation Scene. My soul Is sad (Skorbit dusha!) [Sung in English]

Technical Specifications