Haydn's keyboard concertos combine two of his weaknesses: at best an adequate performer, he didn't write for the keyboard especially idiomatically, and for much of his career he didn't think in the dramatic terms that pushed the concerto forward as a form. This program of two harpsichord concertos, written around 1770 and 1766, respectively, with an intervening five-movement Divertimento in F major, Hob. II:20, is less compelling for the average listener than other releases of Classical-period music by the Dutch historical ensemble
La Petite Bande or keyboardist
Ewald Demeyere. It has fine moments, mostly in the high-spirited and entirely characteristic divertimento, where leader Sigiswald Kuijken picks up many humorous details revealed by his clear textures. The divertimento is an especially early work, composed between 1755 and 1760, and its compact structures clearly marked
Haydn as a composer to watch. The two minuets already have his trademark drollery. The harpsichord concertos are not on the same plane, and a loud keyboard continuo in the orchestral parts further diminishes the already low level of contrast between tutti and solo. The slow movements of the two concertos have an attractive nocturnal atmosphere, and there's no doubt that for the true
Haydn enthusiast this disc offers an intelligently constructed program of unusual
Haydn works. The sound (in Super Audio, but heard here on a good conventional stereo) is remarkably transparent.