Besides being the most musically important of
Phish's four Halloween performances between 1994 and 1998 (released as
Vol. 13 through Vol. 16 of the band's archival
Live Phish series), the group's rendition of
Talking Heads'
Remain in Light, their seminal 1980 collaboration with producer
Brian Eno, is simply the best of 'em all.
The Heads' record was a studio masterpiece, layering mysterious synthesizer washes over African polyrhythms to create a distinct textural beauty. It was so intricate that they never played much of the material in a live setting. The members of
Phish pushed themselves remarkably for this performance: They added two horn players (including longtime Giant Country Horn
Dave Grippo) and
Santana percussionist
Karl Perazzo (who toured with them for several weeks that fall), keyboardist
Page McConnell added several synthesizers to his arsenal, and -- after several tentative starts -- drummer
Jon Fishman finally began to sing for real (his voice had previously been used mostly on novelty numbers). Most importantly, it taught the bandmembers to play with a new reverence for minimalism, which helped both snap them out of the creative malaise they seemed to be suffering in for much of 1996 and provide them juice for the reinvention they would undertake beginning in early 1997 (check out both Slip, Stitch & Pass and
Live Phish, Vol. 11 for evidence of
Remain in Light's influence). In fact, it was this reinvention as a hippie funk unit that had the band planting seeds for the groove jam band eruption that would follow in its wake. All of that, of course, is immaterial in the wake of the show itself:
Phish manages to convincingly pull off
Remain in Light in its entirety, as perfect a mix of obscure weirdness, high musicality, and avant-gardisms as the band might ever encounter. The two other sets from that night sound monochromatic in comparison, although they contain their share of fun moments (including one of
Trey Anastasio's story-songs, "Colonel Forbin's Ascent," in which the character is terrorized by a giant
David Byrne replete with the famed big suit). ~ Jesse Jarnow