Like few other album openers, "Holy Grail" encapsulates what follows it and reflects a particular point in an artist's career. It's a vigorous if not particularly moving track, principally produced by
Timbaland and
J-Roc, which expresses bewilderment and conflicting emotions about rising from poverty to opulence. The first of a few early-'90s references is made -- the chorus of
Nirvana's "Smells Like Teen Spirit" is quoted -- and
Jay-Z is as triumphant and as troubled as ever. He doesn't enter until the 80-second mark, preceded by a theatrical verse and hook from summer 2013 tour partner
Justin Timberlake. As with a significant portion of
Magna Carta...Holy Grail, it has a dashed-off, created between business engagements quality -- maybe there wasn't enough time to ask
Timberlake who translated his version of the Hebrew Bible ("Sippin' from your cup 'til it runneth over"). Likewise, the album's remainder is sporadically energized, played safe with just enough timely pop-culture references and sonic curveballs to demonstrate that
Jay-Z still has his finger on the pulse. He has
Timbaland and
J-Roc -- also co-producers of
Timberlake's 20/20 Experience -- involved with most of the tracks, highlighted by a pair that sample
Adrian Younge's 2011 psych-soul masterpiece Something About April, as well as some brilliantly bleary and prickly work on "F.U.T.W." Significantly lighter lifting is done by a cast that includes the likes of
Pharrell and
Swizz Beatz, as well as Kyambo Joshua and
Mike Dean, who shine on the scuffed-up
Gonjasufi-sampling finale "Nickels and Dimes." For all the lyrical flaunting of material wealth -- revolutionary art, designer fashion, yachting, globe-trotting -- the greatest ostentatious display here is in the enlistment of 2012/2013's hottest producer, Mike Will, for a single minute-length track. Unsurprisingly, it's the wildest, most advanced moment on the album. He still drops some casually brilliant reminders that he remains one of the best, as on "Oceans" ("Only Christopher we acknowledge is Wallace/I don't even like Washingtons in my pocket") and on "Nickels and Dimes" ("Pardon my hubris, Stanley Kubrick/With eyes wide shut, I could cook up two bricks"). ~ Andy Kellman